Have you ever wondered how to Loosen-Up your painting style? Paint Fresher paintings? Be more Spontaneous? Be more Expressive? If the answer to any of these questions is yes, then this book is for you! Here is what is included:Inspiration Motivation, InformationLearn to Loosen-Up and Let GoPaint from the HeartHow to Design a Better Composition using Shape, Value, Color, Edges and Center of InterestProfessional Practice TopicsResources for the Artist

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

Make sure your application stands out from the crowd with help from Getting into Art & Design Courses. From completing your application and putting together a portfolio to acing the interview and sorting out fees, Getting into Art & Design Courses cover everything students need to know if they are thinking about applying for a foundation or undergraduate degree courses in art and design, and for students thinking about architecture. Getting into Art & Design Courses offers practical advice and tips to key application questions: * Which course should I take? * Where should I apply to study? * What should I include in my portfolio? * How do I prepare for the interview? * What funding is available? Make sure you give yourself the best possible chance of securing the course of your choice. MPW Guides explain the process for getting into higher education. Other titles in the series: Getting into Oxford and Cambridge 2017 Entry, Getting into Medical School 2017 Entry, Getting into Psychology and many more.

Foundations of Design by Jeff Davis provides a straightforward examination of the basic principles of two-dimensional design. Written in a clear and concise style, this textbook presents the elements of design in a logical order, with each chapter building on the next. The book employs a highly visual design with numerous diagrams that elegantly illustrate the fundamental design concepts. The diagrams are paired with relevant examples of contemporary art that connect theory to application. Foundations of Design has been written to be accessible by anyone with an interest in art or design. The efficient, practical approach provides useful guidance for beginning students and practicing professionals alike. The universal ideas on visual communication are appropriate for any creative field, including fine art, graphic design, advertising, illustration, web design, and photography. Foundations of Design is an essential addition to any art and design library. TABLE OF CONTENTS Chapter 1 - Design Chapter 2 - Format Chapter 3 - Line Chapter 4 - Shape Chapter 5 - Size Chapter 6 - Color Chapter 7 - Texture Chapter 8 - Composition Chapter 9 - Space Chapter 10 - Grouping Chapter 11 - Contrast Chapter 12 - Balance Chapter 13 - Emphasis Chapter 14 - Movement Chapter 15 - Unity

The only guide to cover the whole application process, from choosing a course to results day, plus essential insider advice from admissions tutors Large target audience - over 200,000 people apply for creative arts courses each year A whole chapter dedicated to architecture, an increasingly popular course, including specific preparation and personal statement advice

Otl Aicher's writings are explorations of the world, a substantive part of his work. In moving through the history of thought and design, building and construction, he assures us of the possibilities of arranging existence in a humane fashion. As ever he is concerned with the question of the conditions needed to produce a civilised culture. These conditions have to be fought for against apparent factual or material constraints and spiritual and intellectual substitutes on offer. Otl Aicher likes a dispute. For this reason, the volume contains polemical statements on cultural and political subjects as well as practical reports and historical exposition. He fights with productive obstinacy, above all for the renewal of Modernism, which he claims has largely exhausted itself in aesthetic visions; he insists the ordinary working day is still more important than the "cultural Sunday". Wolfgang Jean Stock