This is a great collection of script that will make it possible for you to achieve your dreams and be a film maker. Several of these stories have already been made into independent films. Most of fairly low budget films scripts.

"You're going to die," the doctor said. But Canadian author Martin Avery laughed and walked away. Fall Down Nine Times, Get Up Ten tells the story of a man who was told he would never work or walk again, in Canada, but lived to get a better diagnosis of "jing-chi-shen" in China.

A compilation of essays, commentary, insights, and practical information from sixty leading Hollywood insiders furnishes helpful advice for independent filmmakers, with contributions by Christine Vachom, Geoff Gilmore, Bill Condon, Roger Ebert, Richard Pena, and other filmmakers, directors, critics, and producers. Original.

While Hollywood deserves its reputation for much-maligned portrayals of southern highlanders on screen, the film industry also deserves credit for a long-standing tradition of more serious and meaningful depictions of Appalachia's people. Surveying some two dozen films and the literary and historical sources from which they were adapted, John C. Inscoe argues that in the American imagination Appalachia has long represented far more than deprived and depraved hillbillies. Rather, the films he highlights serve as effective conduits into the region's past, some grounded firmly in documented realities and life stories, others only loosely so. In either case, they deserve more credit than they have received for creating sympathetic and often complex characters who interact within families, households, and communities amidst a wide array of historical contingencies. They provide credible and informative narratives that respect the specifics of the times and places in which they are set. Having used many of these movies as teaching tools in college classrooms, Inscoe demonstrates the cumulative effect of analyzing them in terms of shared themes and topics to convey far more generous insights into Appalachia and its history than one would have expected to emerge from southern California's "dream factory."

To help finance her indie vampire movie, Marcella takes a job as a carnival stripper, only to be abducted by associates of her backer, playboy/gangster Oscar, who spirit her to his castle in Europe. She escapes and finds refuge with a kindly old gentleman, the nocturnal Baron d'Orsay, who "does not drink ... wine." With the Baron's all-too-willing assistance, the unsuspecting Marcella finds more authenticity in her film than she had bargained for.

The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.

It's a November day and a visit to the grave site of Anthony Rutigliano, one of countless fallen American young men from the Vietnam war triggers memories of years past for John Fratangelo. This true story tells of the life John and Tony, two inseparable cousins had during their young years as kids in the Bronx and their adventures together through their teen years and their time in Vietnam. It tells of John's young marriage while in the army and his trials and tribulations that he endures during his two years in military service. The book has some humorous moments but sadly they are overwhelmed by the heartaches and losses that occur during the military. The story is highlighted by the apparition that John has of Tony on the night that John finds out about Tony being killed in Vietnam. This scene was what inspired the writing of this book. However, the story does not end there. It goes on to tell of the tragic events that continue in the life of John, nicknamed "Pizza" by his Recon buddies. It shows and informs all who read it that combat is no joke. It's real and horrific and all those who have endured it can attest to its atrocities. "The Last Goodbye" is a read that is sure to bring both a smile on your face and a tear to your eyes and will have a lasting impact on the way people who read it come to feel about the combat veteran and have a new found respect for every man and woman who proudly serve their country so that you, the reader and future generations will be able to live free and safe forever.