Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

Anne Frank's Diary has been acclaimed throughout the world as an indelible portrait of a gifted girl and as a remarkable document of the Holocaust. For Meyer Levin, the respected writer who helped bring the Diary to an American audience, the Jewish girl's moving story became a thirty-year obsession that altered his life and brought him heartbreaking sorrow. Lawrence Graver's fascinating account of Meyer Levin's ordeal is a story within a story. What began as a warm collaboration between Levin and Anne's father, Otto Frank, turned into a notorious dispute that lasted several decades and included litigation and public scandal. Behind this story is another: one man's struggle with himself—as a Jew and as a writer—in postwar America. Looming over both stories is the shadow of the Holocaust and its persistent, complex presence in our lives. Graver's book is based on hundreds of unpublished documents and on interviews with some of the Levin-Frank controversy's major participants. It illuminates important areas of American culture: publishing, law, religion, politics, and the popular media. The "Red Scare," anti-McCarthyism, and the commercial imperatives of Broadway are all players in this book, along with the assimilationist mood among many Jews and the simplistic pieties of American society in the 1950s. Graver also examines the different and often conflicting ways that people the world over, Jewish and Gentile, wanted Anne Frank and her much-loved book to be represented. That her afterlife has in extraordinary ways taken on the shape and implications of myth makes Graver's story—and Meyer Levin's—even more compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

The Jew in Czech and Slovak Imagination,1938-89 is the first critical inquiry into the nature of anti-Jewish prejudices in both main parts of former Czechoslovakia. The authors identify anti-Jewish prejudices over almost fifty years of the twentieth century, focusing primarily on the post-Munich period and the Second World War (1938–45), the post-war reconstruction (1945–48), as well as the Communist rule with both its thaws and returns to hardline rule (1948–89). It is a provocative examination of the construction of the image of ‘the Jew’ in the Czech and Slovak majority societies, the assigning of character and other traits – real or imaginary – to individuals or groups. The book analyses the impact of these constructed images on the attitudes of the majority societies towards the Jews, and on Holocaust memory in the country. "This meticulously researched study covers the late 1930s to the 1960s in Czechoslovakia, then when Slovakia became a separate country under Nazi domination during WW II and much of the Czech Republic was a German 'protectorate.'...Summing Up: Highly recommended. Graduate students, faculty, professionals." - R.M. Seltzer, emeritus, Hunter College, CUNY, in: CHOICE 55.12 (2018)