Excerpt from Germany and the French Revolution While the political history of the era of the French Revolution has been written by Sybel and Sorel and a crowd of lesser men, the influence of its ideas and of the moving drama of blood and tears on the mind and soul of the different countries of Europe has never been thoroughly explored. The universal significance of the upheaval was grasped at the outset both by actors and specta tors. 'your laws will be the laws of Europe, if you are worthy of them, ' declared Mirabeau to the Constituent Assembly; 'so strong is the influence of great States, and, above all, of France.' 'whoever regards this Revolution as exclusively French, ' echoed Mallet du Pan, 'is incapable of pronouncing judgment upon it.' Friends and foes beyond the frontiers were at one in emphasising the power of its appeal; and men like Burke and Paine, Kant and de Maistre, who agreed in nothing else, were convinced that the problems which it raised concerned humanity as a whole. 'when France has a cold, ' remarked Metternich bitterly, 'all Europe sneezes.' The verdict of contemporaries has been ratified by succeeding generations, and has now become an established commonplace. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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In the wake of the French Revolution, history was no longer imagined as a cyclical process in which the succession of ruling dynasties was as predictable as the change in the seasons. Contemporaries wrestled with the meaning of this historical rupture, which represented both the progress of the Enlightenment and the darkness of the Terreur. French authors discussed the political events in their country, but they were not the only ones to do so. As the effects of the French Revolution became more palpable across the border, German authors pondered their implications in newspapers, political pamphlets, and historiographical treatises. German women also participated in these debates, but they often embedded their political commentary in literary texts because they were discouraged, and sometimes even barred, from publishing in explicitly political and public venues. As such, literature, in the sense of belles lettres, had a compensatory function for women: it allowed them to engage in political discussion without explicitly encroaching on certain domains that were perceived as a male preserve. As women writers explored the uses of literature for political commentary they adapted major literary genres in order to consolidate their position in the late eighteenth- and early nineteenth-century literary sphere. Those genres included domestic fiction, the historical novel, historical tragedy, autobiography, the Robinsonade,and the Bildungsroman. Women writers challenged the images of women traditionally portrayed in these genres: dutiful daughter, submissive wife, caring mother, tantalizing mistress, angelic figure, and passive victim. Gender and Genre discusses six women writers who replaced these traditional female types with women warriors and emigrants as protagonists in texts published between 1795 and 1821: Therese Huber, Caroline de la Motte Fouqué, Christine Westphalen, Regula Engel, Sophie von La Roche, and Henriette Frölich. These authors’ protagonists question traditional images of passive femininity, yet their battered bodies also depict the precarious position of women in general, and women writers in particular, during this period. Because women writers were attacked by their male counterparts who attempted to halt their foray into the literary marketplace, these texts are as much about power dynamics in the German literary establishment as they are about French politics.

Emperor Maximilian I is the last knight. With his death the Middle Ages end and modern times begin. Martin Luther publishes his famous theses and the Reformation changes the Christian world. The emergence of two denominations eventually leads to the cruelest war that Germany has experienced until then. It is the Thirty Years' War that devastates entire tracts of land, in which settlements disappear from the map and the population is suffering from terror and hunger. With the end of the horror war Germany is a different country, a country of many independent small states. Thus also the Netherlands and Switzerland separate from Germany and become independent. Austria and Prussia are benefiting from small-scale state-building and are expanding. Prussia becomes next to Austria a German great power. Germany is repeatedly threatened by the Turks. In the year 1683 Germany should finally fall and become a Turkish Muslim country. The Turks are beaten before Vienna. Thereafter, the reconquest of the Balkans by Austrian troops begins. Austria becomes superpower. During this time, there are also domestic and military conflicts between Prussia and Austria. In these conflicts, Prussia finally comes out victorious. Poland is divided beween Russia, Prussia and Austria and disappears entirely from the map. French revolutionary troops are threatening Germany, occupy large areas and devastate the country. This book also covers the Renaissance, the Baroque period, the Rococo style and the Enlightenment, as well as Classicism and Mercantilism. You can also read something about famous personalities of that time, such as Goethe, Schiller and Mozart.