From German unification in 1871 through the early 1960s, confessional tensions between Catholics and Protestants were a source of deep division in German society. Engaging this period of historic strife, Germany and the Confessional Divide focuses on three traumatic episodes: the Kulturkampf waged against the Catholic Church in the 1870s, the collapse of the Hohenzollern monarchy and state-supported Protestantism after World War I, and the Nazi persecution of the churches. It argues that memories of these traumatic experiences regularly reignited confessional tensions. Only as German society became increasingly secular did these memories fade and tensions ease.

This book explores the culture, politics, and ideas of the nineteenth-century German secularist movements of Free Religion, Freethought, Ethical Culture, and Monism. In it, Todd H. Weir argues that although secularists challenged church establishment and conservative orthodoxy, they were subjected to the forces of religious competition.

Explores the relationship among the German confessional divide, collective memories of religion, and the construction of German national identity and difference. It argues that nineteenth-century proponents of church unity used and abused memories of Martin Luther and the Protestant Reformation to espouse German religious unity, which would then serve as a catalyst for German national unification.

Margaret Stieg Dalton offers a comprehensive study of the German Catholic cultural movement that lasted from the late nineteenth century until 1933. Rapidly advancing industrialization, higher literacy rates, rising real income, and increased leisure time created a demand for intellectually accessible entertainment. Technological developments gave rise not only to new forms of entertainment, but also to the means by which they were marketed and disseminated. high culture. Dalton's book examines the encounter of clergy and lay Catholics with both high culture and popular culture in Germany. German Catholic culture was more than the product of an individual who happened to be Catholic; it was intellectual and artistic activity with a specifically Catholic stamp, a unique blend that offered distinctive variants of art, literature, and music. In response to the predominant Protestant, nationalistic culture, German Catholics attempted to create an alternative cultural universe that would insulate them from a world that seemed to threaten their faith. and other Germans tried to determine to what extent the new world could be accepted while still holding on to traditional values. Catholicism, Popular Culture, and the Arts in Germany, 1880-1933 will be welcomed by anyone interested in European intellectual and cultural history.

As the birthplace of the Reformation, Germany has been the site of some of the most significant moments in the history of European Christianity. Today, however, its religious landscape is one that would scarcely be recognizable to earlier generations. This groundbreaking survey of German postwar religious life depicts a profoundly changed society: congregations shrink, private piety is on the wane, and public life has almost entirely shed its Christian character, yet there remains a booming market for syncretistic and individualistic forms of “popular religion.” Losing Heaven insightfully recounts these dramatic shifts and explains their consequences for German religious communities and the polity as a whole.

The course of the French Wars of Religion, commonly portrayed as a series of civil wars, was profoundly shaped by foreign actors. Many German Protestants in particular felt compelled to intervene. In Germany and the French Wars of Religion, 1560-1572 Jonas van Tol examines how Protestant German audiences understood the conflict in France and why they deemed intervention necessary. He demonstrates that conflicting stories about the violence in France fused with local religious debates and news from across Europe leading to a surprising range of interpretations of the nature of the French Wars of Religion. As a consequence, German Lutherans found themselves on opposing sides on the battlefields of France.

Focusing on the era in which the modern idea of nationalism emerged as a way of establishing the preferred political, cultural, and social order for society, this book demonstrates that across different European societies the most important constituent of nationalism has been a specific understanding of the nation's historical past. Analysing Ireland and Germany, two largely unconnected societies in which the past was peculiarly contemporary in politics and where the meaning of the nation was highly contested, this volume examines how narratives of origins, religion, territory and race produced by historians who were central figures in the cultural and intellectual histories of both countries interacted; it also explores the similarities and differences between the interactions in these societies. Histories of Nationalism in Ireland and Germany investigates whether we can speak of a particular common form of nationalism in Europe. The book draws attention to cultural and intellectual links between the Irish and the Germans during this period, and what this meant for how people in either society understood their national identity in a pivotal time for the development of the historical discipline in Europe. Contributing to a growing body of research on the 'transnationality' of nationalism, this new study of a hitherto-unexplored area will be of interest to historians of modern Germany and Ireland, comparative and transnational historians, and students and scholars of nationalism, as well as those interested in the relationship between biography and writing history.