A compilation of eight different German modelbucher dating from 1524-1556, with 200 unique plates. Books included are: Schonsperger 1524 and 1529 editions Quentel 1529, 1532, and 1544 editions Egenolff 1535 edition Gülfferich 1553 edition Hoffman 1556 edition The title pages have been translated into English from the original German. The plates of designs have been organized by type (freestyle or charted), and style elements, with duplicated plates noted, and when and where they were republished. Historical embroidered and woven pieces which use identical or similar patterns will inspire and guide you in your use of this book.

This very early "Modelbuch" (needlework pattern book) was first published in 1589, most likely in Germany. Originally produced for lacemakers and weavers, these patterns were quickly adapted to counted techniques by needleworkers. You'll find them perfect for your own needlepoint, counted cross stitch, beadwork and filet crochet projects.

Detailed line drawings of Renaissance patterns, originally collected in 1880 in a volume edited and published in Vienna by Rudolf Eitelberger von Edelberg.

A century ago, a folk art enthusiast collected these ornate, highly stylized designs from among a now-dispersed community of ethnic Germans residing in Transylvania. Nearly 200 designs include birds, flowers, mythical creatures, and other motifs in styles ranging from simple to complex and in themes from medieval to modern. Easily adapted to other crafts projects.

This Bulletin discusses the Met's extensive collection of Renaissance textile pattern books, used primarily by women to embroider clothes and accessories. The practice of embroidery was seen as a virtuous endeavor, and textile pattern books, published with great frequency from the 1520s onward, were designed to inspire, instruct, and encourage "beautiful and virtuous women" in this esteemed practice. Straddling the disciplines of early printmaking, ornament design, and textile decoration, these works help shed light on the crucial period when the concept of fashion as a means of distinguishing individual identity became fixed in Western society.