"An enlightening and solidly documented book of great value to those who would like to trace the ideologoical roots behind the most erratic and dramatic politics phases of modern Germany."--"American Political Science Review" "If only because it presents the intellectual and emotional background to National Socialism with rare clarity and penetrating analysis of its several and often sharply contrasting components, the ably written and profoundly interesting book ... would be of importance ... With its useful footnotes, selective bibliography and good index Professor Stern's study is American scholarship at its best."-"International Affairs"

They allow for a painstaking analysis of the political and "aesthetic" priorities of a developing Stalinist culture while raising intriguing questions about the early stages of the Cold War and the subsequent division of Germany. In particular, the gradual introduction of Zhdanovist or socialist-realist political norms and aesthetic forms into Soviet-occupied Germany closely paralleled developments in the Soviet Union during the infamous zhdanovshchina (1946-1948). Smear campaigns against "formalism," "decadence," and "cosmopolitanism," carefully tailored to local circumstances, were the natural consequence. Simultaneously, the German Communists worked behind the scenes with the Soviet occupation regime to establish the administrative apparatus for the enforcement of these standards, imported from the Soviet Union and calculated to infuse German art and literature with the proper political priorities.

Probing deeply into texts by and about prominent Christian mystics, religious authors, and saints, German Mysticism and the Politics of Culture challenges the reader to rethink the medieval past as a contemporary presence. This «presence of the past» shapes memory of place, valorizes the trope of ecstatic sexual union as death, and continues the religious marginalization of female voice and authority. The chapters focus on the works and lives of Hadewijch, Marie d'Oignies, Dionysius of Ryckel, Heinrich Seuse, Margarete Ebner, St. Elisabeth, Hrotsvit of Gandersheim, and the stigmatic Therese Neumann. Part One of the volume examines the dynamics of cultural memory and forgetting as they relate to issues of sexuality, female authority, and national politics; Part Two explores themes of love and death, erasure and displacement. Medieval Christian mysticism, the author argues, cannot be narrated as a story of great cultural accomplishment but, rather, as a fundamentally agonistic scenario shaped by actors whose impact still affects us today.

This book argues that the rediscovery of mystical theology in nineteenth-century Germany not only helped inspire idealism and romanticism, but also planted the seeds of their overcoming by way of critical materialism. Thanks in part to the Neoplatonic turn in the works of J. G. Fichte, as well as the enthusiasm of mining engineer Franz X. von Baader, mystical themes gained a critical currency, and mystical texts returned to circulation. This reawakening of the mystical tradition influenced romantic and idealist thinkers such as Novalis and Hegel, and also shaped later critical interventions by Marx, Benjamin, and Bataille. Rather than rehearsing well-known connections to Swedenborg or Böhme, this study goes back further to the works of Meister Eckhart, Nicholas of Cusa, Catherine of Siena, and Angela of Foligno. The book offers a new perspective on the reception of mystical self-interrogation in nineteenth-century German thought and will appeal to scholars of philosophy, history, theology, and religious studies.

Winner of the Frank S. and Elizabeth D. Brewer Best First Book Prize of the American Society of Church History Society for U. S. Intellectual History Notable Title in American Intellectual History The story of liberal religion in the twentieth century, Matthew S. Hedstrom contends, is a story of cultural ascendency. This may come as a surprise-most scholarship in American religious history, after all, equates the numerical decline of the Protestant mainline with the failure of religious liberalism. Yet a look beyond the pews, into the wider culture, reveals a more complex and fascinating story, one Hedstrom tells in The Rise of Liberal Religion. Hedstrom attends especially to the critically important yet little-studied arena of religious book culture-particularly the religious middlebrow of mid-century-as the site where religious liberalism was most effectively popularized. By looking at book weeks, book clubs, public libraries, new publishing enterprises, key authors and bestsellers, wartime reading programs, and fan mail, among other sources, Hedstrom is able to provide a rich, on-the-ground account of the men, women, and organizations that drove religious liberalism's cultural rise in the 1920s, 1930s, and 1940s. Critically, by the post-WWII period the religious middlebrow had expanded beyond its Protestant roots, using mystical and psychological spirituality as a platform for interreligious exchange. This compelling history of religion and book culture not only shows how reading and book buying were critical twentieth-century religious practices, but also provides a model for thinking about the relationship of religion to consumer culture more broadly. In this way, The Rise of Liberal Religion offers both innovative cultural history and new ways of seeing the imprint of liberal religion in our own times.

This book offers the reader an introduction to the writings of Hildegard of Bingen, Meister Eckhart, Tauler, Nicholas of Cusa, Paracelsus, Jacob Boehme, Angelus Silesius, Novalis and includes the more recent thinkers, such as Schopenhauer and Wittgenstein, who were influenced by the tradition. It is the first study of its scope to take into account the much ignored historical preconditions of German mysticism and the first to trace the thematic evolution of mystical literature from a core of biblical and Augustinian materials. It also follows in the footsteps of recent scholarship in showing how German mysticism interacts with other currents in intellectual history such as the Reformation, Romanticism, or Modernism. Instead of murky generalizations, the reader will find clear discussions of representative literary documents, analyzed with an eye to theme, source, style, function, and influence.

The volume explores the hitherto uncharted late medieval religious landscape of Northern Germany, from 13th-century Helfta to the 15th-century Lüneburg convents. The mystical and devotional writing of Northern Germany is contextualised through chapters on the Netherlands, Scandinavia and East Prussia. The seminal influence of the liturgy on these texts and their transmission is revealed in the creative interplay of Latin and Low German. Through the individual chapters and their appendices, which also contain translations into English, the reader can access a wealth of texts produced by communities of religious and lay women who write learnedly in Latin and fervently in Low German. Together, the chapters and appendices reveal a fascinating regional "mystical culture" which also reverberated across Northern Europe. Contributors include: Jürgen Bärsch, Anne Bollmann, Veerle Fraeters, Ulrike Hascher-Burger, Ernst Hellgardt, Tanja Mattern, Balazs Nemes, Sara S. Poor, Eva Schlotheuber, Almut Suerbaum, and Geert Warnar.