The contributors of this volume seek to answer such questions as: 'How did the Germans overcome 'Germanic Ideology', or did they?' 'Why is there no libertarianism in Germany?' 'What do German conservatives wish to conserve?'. Emphasizing shared patterns of thought, the contributors trace the contours of political thought in a divided nation with a difficult past, and ion the shadow of the culture and political values of the United States.

The contributors of this volume seek to answer such questions as: 'How did the Germans overcome 'Germanic Ideology', or did they?' 'Why is there no libertarianism in Germany?' 'What do German conservatives wish to conserve?'. Emphasizing shared patterns of thought, the contributors trace the contours of political thought in a divided nation with a difficult past, and ion the shadow of the culture and political values of the United States.

Renowned historian George L. Mosse's landmark work, first published in 1964, explored the ideological foundations of Nazism in Germany and introduced readers to the völkisch ideal--the belief that the German people were united through a transcendental essence. This new edition includes a critical introduction by Steven E. Aschheim.

They allow for a painstaking analysis of the political and "aesthetic" priorities of a developing Stalinist culture while raising intriguing questions about the early stages of the Cold War and the subsequent division of Germany. In particular, the gradual introduction of Zhdanovist or socialist-realist political norms and aesthetic forms into Soviet-occupied Germany closely paralleled developments in the Soviet Union during the infamous zhdanovshchina (1946-1948). Smear campaigns against "formalism," "decadence," and "cosmopolitanism," carefully tailored to local circumstances, were the natural consequence. Simultaneously, the German Communists worked behind the scenes with the Soviet occupation regime to establish the administrative apparatus for the enforcement of these standards, imported from the Soviet Union and calculated to infuse German art and literature with the proper political priorities.

A popularly written and illustrated history of the Holocaust. Deals with all of the victims of the Nazis' genocidal campaign: communists, Jehovah's Witnesses, homosexuals, Poles and other Slavs, and Soviet POWs, as well as the "racial enemies" - Afro-Germans, the mentally and physically disabled, Gypsies, and Jews. Jews were regarded by the Nazis as the foremost "racial enemy". Pp. 110-156, "The Holocaust", deal specifically with the destruction of the Jews - from the first Nazi anti-Jewish measures in Germany, through the "Kristallnacht" pogrom and murders of Jews in Poland and the USSR, to the total mass murder in the death camps.

Kallis provides a comparative investigation of fascist expansionism by focusing on the close relations between ideology and action under Mussolini and Hitler. With an overview of the ideological motivations behind fascist expansionism and their impact on fascist policies, this book explores the two main issues which have dominated the historiographical debates on the nature of fascist expressionism: whether Italy's and Germany's particular expansionist tendencies can be attributed to aset of generic fascist values, or were shaped by the long-term, uniquely national ambitions and developments since unification; whether the pursuit of expansionism was opportunistic or followed a grand design in each case. This book is a fascinating study of the expansionist visions of Hitler and Mussolini and it enlightens our understanding of the dynamics and evolution of the fascist policies of Italy and Germany to the end of the Second World War.