Tour of the exhibition: the Museum of Modern Art, New York, Feb. 14-May 21, 2002 and others.

Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–WWII Germany, in both broad and very personal terms. This handsomely designed book spans the artist’s rich and varied oeuvre from the early 1960s to the present, including photo paintings, portraits, large-scale abstract series, and works on glass. Essays by leading experts on the artist illuminate Richter’s preoccupation with painting in relation to other modes of representation, and emphasize the ongoing importance of the medium’s formal and conceptual possibilities in contemporary art.

Text by Robert Storr.

This fascinating book offers unprecedented insight into artist Gerhard Richter's life and work. From his childhood in Nazi Germany to his time in the West during the turbulent 1960s and '70s, this work presents a complete portrait of the often-reclusive Richter.

For Gerhard Richter (born 1932), the category of drawing covers a multitude of techniques, including graphite, ballpoint, ink, colored ink and watercolor on paper. Throughout his career, drawings have appeared in series that sometimes only consist of a few works: in the 1960s, representational and mechanical drawings from projected photographs; in the 1970s, abstract drawings; in the 1980s, drawings of people and objects; and in the 1990s, both figurative and abstract ink drawings. Nonetheless, Richter notoriously once expressed disdain for drawing's vaunted guarantee of authenticity and virtuosity--in part from his insistent and complete commitment to painting. Drawing therefore sits at a fascinating angle to his painting, and provides an arena for aspects of his thinking that rarely surface in his painting. Lines Which Do Not Exist was published for the artist's Fall 2010 exhibition at The Drawing Center in New York--his first overview in a public institution in New York since 40 Years of Painting at The Museum of Modern Art (2002). It presents more than 50 color reproductions of graphite, watercolor and ink on paper drawings made by Richter over a period of five decades, from 1966 to 2005.

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Featured here are selected pictures from Gerhard Richter's new group of works entitled Strip Paintings.Published alongside an exhibition at Marian Goodman Gallery, New York (12 September - 13 October 2012), the works in this beautifully produced, representative, large-format catalogue are reprinted on full pages in 7 colour prints.In his essay, Glass Insurrection Benjamin H.D. Buchloh addresses Richter's glass pieces from 1967 to the present and in The Chance Ornament: Painting Progress Painting Loss he focuses on the new Strip Paintings group for the first time.Gerhard Richter was born in Dresden in 1932 and he lives and works in Cologne.