"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.

Naomi Ragen's first play, which premiered in July 2002 at Habima National Theater in Tel Aviv. It is based on a true story: a Haredi (ultra-Orthodox) woman, wife of a rabbi, mother of 12, leaves her home and stays with a friend. The community's "modesty squad" tries in vain to force her to go back. Her friend is physically attacked, her arm and leg broken. The rabbi's wife is punished: she is cut off from her children, against her will.

A radical reinterpretation of the biblical prophets by one of America's most provocative critics reveals the eternal beauty of their language and the enduring resonance of their message. Long before Norman Podhoretz became one of the intellectual leaders of American neoconservatism, he was a student of Hebrew literature and a passionate reader of the prophets of the Old Testament. Returning to them after fifty years, he has produced something remarkable: an entirely new perspective on some of the world's best-known works. Or, rather, three new perspectives. The first is a fascinating account of the golden age of biblical prophecy, from the eighth to the fifth century B.C.E., and its roots in earlier ages of the ancient Israelite saga. Thus, like large parts of the Bible itself, The Prophets is a history of the Near East from the point of view of a single nation, covering not only what is known about the prophets themselves -- including Elijah, Amos, Isaiah, Jeremiah, and Ezekiel -- but also the stories of King David, King Saul, and how the ancient Israelites were affected by the great Near Eastern empires that surrounded them. Layered into this work of history is a piece of extraordinary literary criticism. Podhoretz's very close reading of the verse and imagery used by the biblical prophets restores them to the top reaches of the poetic pantheon, for these books contain, unequivocally, some of the greatest poetry ever written. The historical chronicle and the literary criticism will transport readers to a time that is both exotic and familiar and, like any fine work of history or literature, will evoke a distinct and original world. But the third perspective of The Prophets is that of moral philosophy, and it serves to bring the prophets' message into the twenty-first century. For to Norman Podhoretz, the real relevance of the prophets today is more than the excitement of their history or the beauty of their poetry: it is their message. Podhoretz sees, in the words of the biblical prophets, a war being waged, a war against the sin of revering anything made by the hands of man -- in short, idolatry. In their relentless battle against idolatry, Podhoretz finds the prophets' most meaningful and enduring message: a stern warning against the all-consuming worship of self that is at least as relevant in the twenty-first century as it was three thousand years ago. The Prophets will earn the respect of biblical scholars and the fascinated attention of general readers; its observations will be equally valued by believers and nonbelievers, by anyone with spiritual yearnings. Learned, provocative, and beautifully written, The Prophets is a deeply felt, deeply satisfying work that is at once history, literary criticism, and moral philosophy -- a tour de force.

A consumer guide to getting a great buy on a guy.

“There’s no better way to explain the miracle of Israel than to examine the life of Stef Wertheimer . . . A story to be read by everyone” (Warren Buffett). Forced to flee Nazi Germany with his family at age ten, Stef Wertheimer came to British Palestine in the late 1930s. He promptly dropped out of school, learned a trade through apprenticeship, and played a meaningful role in Israel’s War of Independence. He also started a company—ISCAR—that began in a shed and ultimately made him one of the world’s great self-made industrialists. In The Habit of Labor, Wertheimer shares the lessons he learned from a life of hardship and struggle in one of the world’s newest industrial powers. Both a pragmatist and a visionary, Wertheimer has devoted much of his life to promoting Jewish and Arab economic development through innovative educational and vocational programs, along with the establishment of a series of thriving industrial parks in Israel and in Turkey. The future of Israel, he believes, is not in military might or diplomatic alliances but in its growing economic clout.

A sardonic portrayal of one white, middle-class Midwestern girl's coming-of-age, this novel takes a wry and prescient look at a range of experiences treated at the time as taboo or trivial.

At the crossroads of two cultural icons exists Jay Sigmund, born near the Wapsipinicon River in Waubeek, Iowa. As the Regionalist movement was in full swing guess who had an enormous influence on well-known artist Grant Wood? Jay Sigmund! Also at this time, a paperboy in Cedar Rapids, Iowa, was working on his interests in poetry with Jay Sigmund--this paperboy was Paul Engle, who later went on to co-create and direct the Iowa Writers' Workshop and start the International Writers' Workshop at the University of Iowa. In his time, Jay Sigmund was a successful insurance agent, but also a respected and well-known author who had a major impact on Midwestern culture through his deep love and respect of his place in Iowa.