"Reimagining the technological research university involves re-instituting an commitment to undergraduate education, enlivening campus design, engaging the outside world through regional and national policy, making global connections, taking on new research directions with interdisciplinary approaches, and more. The book explains the basis for the key decisions that were needed to make it happen"--

This is the 2nd edition of Technological Innovation. Profiting from technological innovation requires scientific and engineering expertise, and an understanding of how business and legal factors facilitate commercialization. This volume presents a multidisciplinary view of issues in technology commercialization and entrepreneurship.

Provides a look at Georgia Institute of Technology from the students' viewpoint.

Sports, Society, and Technology: Bodies, Practices, and Knowledge Production addresses the complex entanglements of science, technology, and sporting cultures. The collection explores themes around human and non-human actants, knowledge formations and processes, and the materiality and multiplicity of bodies through an engagement with the interdisciplinary fields of Sport Studies and Science and Technology Studies. Representing a range of methodological, theoretical, and disciplinary approaches, contributors interrogate the social, cultural, political, and historical intersections of an ever-expanding techno-scientific sporting landscape – from true bounce and brain trauma to exercise physiology, metrics, and esports, and from feminist technoscience, whey protein, and epigenetics to sickle cell screening and testosterone regulation.

The architectural development of Georgia Tech began as a core of Victorian-era buildings sited around a campus green and Tech Tower. During the subsequent Beaux-Arts era, designers (who were also members of the architecture faculty) added traditionally styled buildings, with many of them in a pseudo-Jacobean collegiate redbrick style. Early Modernist Paul Heffernan led an architectural revolution in his academic village of functionalist buildings on campus--an aesthetic that inspired additional International Style campus buildings. Formalist, Brutalist, and Post-Modern architecture followed, and when Georgia Tech was selected as the Olympic Village for the 1996 Summer Olympics, new residence halls were added to the campus. Between 1994 and 2008, Georgia Tech president G. Wayne Clough stewarded over $1 billion in capital improvements at the school, notably engaging midtown Atlanta with the development of Technology Square. The landscape design by recent campus planners is especially noteworthy, featuring a purposeful designation of open spaces, accommodations for pedestrian perambulations, and public art. What might have developed into a prosaic assemblage of academic and research buildings has instead evolved into a remarkably competent assemblage of aesthetically pleasing architecture.

Col. Bruce Hampton was a charismatic musical figure who launched and continued to influence the jam band genre over his fifty-plus years performing. Part bandleader, soul singer, storyteller, conjuror, poet, preacher, comedian, philosopher, and trickster, Col. Bruce actively sought out and dealt in the weird, wild underbelly of the American South. The Music and Mythocracy of Col. Bruce Hampton is neither a true biography in the Boswellian sense nor a work of cultural studies, although it combines elements of both. Even as biographer Jerry Grillo has investigated and pursued the facts, this life history of Col. Bruce reads like a novel—one full of amazing tales of a musical life lived on and off the road. Grillo’s interviews with Hampton and his bandmates, family, friends, and fans paint a fascinating portrait of an artist who fostered some of the best music ever played in America. Grillo aims not so much to document and demystify the self-mythologizing performer as to explain why his fans and friends loved him so dearly. Hampton’s family history, his place in Atlanta and southeastern musical history, his significant friendships and musical relationships, and the controversies over personnel in his Hampton Grease Band over the years are all discussed. What emerges is a portrait of a P. T. Barnum of the musical world, but one who included his audience and invited them through the tent door to share his inside joke, with plenty of joy to go around.

From humble beginnings as a small technological institute that opened in 1888, Georgia Tech has become one of the nation's top-10-ranked public universities, according to U.S. News & World Report rankings, and is renowned throughout the world for its excellence in technological education and research. Famous Georgia Institute of Technology alumni include Jimmy Carter, G. Wayne Clough, Jeff Foxworthy, Sam Nunn, Randolph Scott, and Leonard Wood, along with many famous athletes. Georgia Tech has won four national college football championships, the first in 1917 under the legendary coach John Heisman. Today, Georgia Tech has a student body of more than 29,000 at the undergraduate and graduate levels and more than 155,000 living alumni. The institute has an annual economic impact of about $3 billion upon Georgia's economy. - from publisher.