This beautiful book is a collection of Georgia O'Keeffe's major drawings, done between 1915 and 1963. Each drawing is accompanied by the artist's comments, usually on how, why, where, or when she made the drawing. The book was originally published in 1974 in a signed, limited edition of one hundred copies, which has since become a collectors' item. O'Keeffe's text was her first writing intended for book publication. This new edition, including an updated bibliography, is intended, in Doris Bry's words, as "a tribute to O'Keeffe's drawings, an appreciation of her use of the written word, and a proof that a beautifully designed and printed book can be made available to a wide public at an affordable cost."

Most people associate Georgia O’Keeffe with New Mexico, painted cow skulls, and her flower paintings. She was revered for so long—born in 1887, died at age ninety-eight in 1986—that we forget how young, restless, passionate, searching, striking, even fearful she once was—a dazzling, mysterious female force in bohemian New York City during its heyday. In this distinctive book, Karen Karbo cracks open the O’Keeffe icon in her characteristic style, making one of the greatest women painters in American history vital and relevant for yet another generation. She chronicles O’Keeffe’s early life, her desire to be an artist, and the key moment when art became her form of self-expression. She also explores O’Keeffe’s passionate love affair with master photographer Alfred Stieglitz, who took a series of 500 black-and-white photographs of O’Keeffe during the early years of their marriage. This is not a traditional biography, but rather a compelling, contemporary reassessment of the life of O’Keeffe with an eye toward understanding what we can learn from her way of being in the world.

Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.

In June 1966, photographer John Loengard was asked by Life magazine to photograph Georgia O'Keeffe in New Mexico, where she had been living since the late 1930s. Georgia O'Keeffe was 79 years old at the time, Loengard was 32, and for three days he observed and photographed the private life of this pioneer artist who virtually redefined American painting. For this unique book, we selected almost fifty of the finest black-and-white pictures Loengard took of the grand, solitary woman in the desert, and juxtaposed them with selected paintings of hers. They record the course of a day in the life of Georgia O'Keeffe from sunrise to sunset, developing their own quiet, mysterious effect. It becomes clear how much the austere poetry of the landscape corresponded to the artist's own self-created world and how her artistic imagination was kindled by bleached bones and an infinite desert. Now available as a reduced size reprint.

A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.

Reproduces O'Keeffe's 20 Hawai'i paintings, plus 50 period and locational photographs.