"In Cecily Parks' beautiful poems, the natural world teeters between being and seeming—the seeming a simulacrum projected onto the world by a mind's yearning, taxonomy and dread. Deeply metaphysical, and deeply attentive to our spiritual as well as physical uses and abuses of nature, O'Nights implicates language's —indeed, lyric poetry's—sad role in this endeavor."—Susan Wheeler In O'Nights, Cecily Parks constructs stunning manifestations of a modern Thoreauvian wilderness, investigating how the natural world gives shape to the self, body, and emotions. These lyrical, transcendental poems study the duality of nature's feminine and masculine identities, and in its simplicity, offers a space where humankind truly belongs. From "Bell": This progress, as in the wind-scalloped snowmeadow pretending to be moon. This love that sets us scrambling over the map's last ridge, our red hoods bright in shrunken sky. This metallic weather in which we are the ore. This alder. These crimson-tipped willows reverberating next to a river of turquoise ice. This following the deep tracks of one coyote stepping where another has stepped. This wilderness that we trespass, burning like berries in the juniper and becoming the air in the belfry. Cecily Parks is the author of the chapbook Cold Work (Poetry Society of America, 2005) and the collection Field Folly Snow (University of Georgia Press, 2008), which was a finalist for the Norma Farber First Book Award and the Glasgow/Shenandoah Prize for Emerging Writers. Her poems have appeared in Boston Review, Kenyon Review, Orion, Tin House, Virginia Quarterly Review, the Yale Review, and elsewhere. She lives in Cambridge, Massachusetts.

A collection of seven hair-raising yarns, told one night on a mountain porch in Georgia.

An electric and intimate story of 1970s gay Atlanta through its bedazzling drag clubs and burgeoning rights activism. Coursing with a pumped-up beat, gay Atlanta was the South's mecca—a beacon for gays and lesbians growing up in its homophobic towns and cities. There, the Sweet Gum Head was the club for achieving drag stardom. Martin Padgett evokes the fantabulous disco decade by going deep into the lives of two men who shaped and were shaped by this city: John Greenwell, an Alabama runaway who found himself and his avocation performing as the exquisite Rachel Wells; and Bill Smith, who took to the streets and city hall to change antigay laws. Against this optimism for visibility and rights, gay people lived with daily police harassment and drug dealing and murder in their discos and drag clubs. Conducting interviews with many of the major figures and reading through deteriorating gay archives, Padgett expertly re-creates Atlanta from a time when a vibrant, new queer culture of drag and pride came into being.