The first black American to receive the Pulitzer Prize for music (for his composition Lilacs), George Walker recounts the most significant events in his life and distinguished career as a composer and a musician.

The first English-language translation of the French 18th-century classic text on woodworking.

Three wordless graphic narratives on contemporary themes - a cold case from 1917, the tragic cost of the events of 9/11, and the rise and fall of Conrad Black - by a celebrated wood engraving artist.

In master engraver George A. Walker’s newest work, The Mysterious Death of Tom Thomson, the circumstances surrounding the death and disappearance of the iconic Canadian artist are explored through some one hundred and nine wood engravings, creating a work that eulogizes not only the artist himself, but the struggle of the artist’s attempt to express himself while constrained by society, the reality of the moment, and mortality.

George tries very hard to be a good dog, but he is tempted to eat the delicious cake on the kitchen table, chase the cats, and dig up the flowers.

"If you care about graphic novels, you need this book." -- New York Times bestselling author Neil Gaiman Graphic Witness features rare wordless novels by five great twentieth century woodcut artists from Europe and North America. The stories they tell reflect the political and social issues of their times as well as the broader issues that are still relevant today. Frans Masereel (1899-1972) was born in Belgium and is considered the father of the wordless graphic novel. Graphic Witness includes the first reprint of his classic work The Passion of a Man since its 1918 publication in Munich. American Lynd Ward (1905-85), author of the provocative Wild Pilgrimage, is considered among the most important of wordless novelists. Giacomo Patri (1898-1978) was born in Italy and lived in the United States. His White Collar featured an introduction by Rockwell Kent and was used a promotional piece by the labor movement. Erich Glas's (1897-1973) haunting wordless novel Leilot, created in 1942, foreshadows the Holocaust, which was not widely known about at the time. Southern Cross by Canadian Laurence Hyde (1914-87) was controversial for its criticism of U.S. H-bomb testing in the South Pacific. Author George A. Walker draws on his expertise as a woodcut artist to provide insight into the tools and techniques used to create these works of art. As well, he examines the importance of the role of artists as witnesses and critics of their times, and the influence of the genre on the emergence of comics and the modern graphic novel. This newly expanded edition of Graphic Witness, which features an afterword by cartoonist Seth, will appeal to readers interested in social issues, printmaking, art history and contemporary culture.

The Book of Hours draws us back through time and into the intimate routines of daily life in the hours before the onslaught of 9/11. Here Walker expresses through images what is too horrific for words, and although the inhabitants of the Book of Hours can’t imagine the tragedy about to befall them, the reader must dread the slow, uneven countdown that weaves between the pages. The Book of Hours juxtaposes the normalcy of telephones, cubicles and sex with the catastrophic consequences of 9/11, and Walker reveals the individual lives and stories affected by and hidden beneath global politics. Through a careful, reverential representation of all the minor tasks that make up a day, the Book of Hours pays homage to the small rituals that grant our lives some stability and meaning in the midst of horrific, incomprehensible events. This is not only a remembrance of innocence lost but also a recollection of the historical activism and art genres that had such an important influence on today’s graphic novel. Walker contributes to the great woodcut tradition established by the likes of Frans Masereel, Lynd Ward and Otto Nückel, and shows the endless need to expose and question social injustice through art and narrative.