In this work, Santayana analyzes the nature of the knowing process and demonstrates by means of clear, powerful arguments how we know and what validates our knowledge. The central concept of his philosophy is found in a careful discrimination between the awareness of objects independent of our perception and the awareness of essences attributed to objects by our mind, or between what Santayana calls the realm of existents and the realm of subsistents. Since we can never be certain that these attributes actually inhere in a substratum of existents, skepticism is established as a form of belief, but animal faith is shown to be a necessary quality of the human mind. Without this faith there could be no rational approach to the necessary problem of understanding and surviving in this world. Santayana derives this practical philosophy from a wide and fascinating variety of sources. He considers critically the positions of such philosophers as Descartes, Euclid, Hume, Kant, Parmenides, Plato, Pythagoras, Schopenhauer, and the Buddhist school as well as the assumptions made by the ordinary man in everyday situations. Such matters as the nature of belief, the rejection of classical idealism, the nature of intuition and memory, symbols and myth, mathematical reality, literary psychology, the discovery of essence, sublimation of animal faith, the implied being of truth, and many others are given detailed analyses in individual chapters.

George Santayana (1862-1952) of Spanish descent, and generally claimed to be in the canon of American philosophers, was substantially influenced by his Roman Catholic origins in his philosophical disposition toward the value of tradition, religious symbols and dogma. His philosophical project sustained a respectful attitude toward the spiritual value of orthodox religion while the thrust of his philosophy was naturalistic and materialistic throughout. There is a perception by some scholars that Santayana’s philosophy evolved from a humanistic perspective to a more spiritual one in his later years. It is the position of this thesis that his philosophy, at the “core” depicting a harmonious striving toward individual happiness, remained essentially consistent from his earliest publication of Interpretations of Poetry and Religion and The Life of Reason through his later works of Scepticism and Animal Faith, Realms of Being, Dominations and Powers and The Idea of Christ in the Gospels. Santayana’s philosophical approach is both phenomenological and social constructionist in its methodology, significantly preempting the methodology of social constructionist theology and a post-modern interpretation of religion. His idiosyncratic phenomenological approach is compared with a “benchmark” methodology of Edmund Husserl, the generally accepted founder of the phenomenological method. There are also important similarities between Santayana’s phenomenological approach and those of Charles Sanders Peirce and Alfred North Whitehead. The basis for the comparison of the phenomenological methodology of Santayana and Husserl is their mutually similar fundamental theory of intuited essence. Santayana’s contribution to religious studies is not only philosophical but also theological where he has utilized Christian theological language in transposing and interpolating his philosophy of religion to the Christian drama of the salvational Christ. Santayana’s essay “Ultimate Religion” reflects his perspective of a disillusioned but still spiritual vision incorporating the piety, discipline, and spirituality; of a life of reason. Within the framework of this “model” Santayana’s philosophy of religion is developed and explored. Finally, the relevance of Santayana’s philosophy of religion to contemporary religious studies and selected religious issues is addressed with a delineation and discussion of some important aspects of his philosophical vision.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The author of the introduction to this new edition, John McCormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather, beauty is an emotion, a value, and a sense of the good. In this aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that residues in the sense of self. The work is divided into chapters on the materials of beauty, form, and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life.