This book sheds light on the challenging theology of nineteenth-century Scottish writer George MacDonald concerning the true meaning of the Atonement, the purpose of trials and suffering, the nature of the unpardonable sin, hope for growth, and death. Under consideration is Thomas Hooker's "Poor Doubting Christian Drawn unto Christ" on the redemption of Joan Drake and its influence on MacDonald's "Wingfold" trilogy; MacDonald's version of the "Wandering Jew"; MacDonald's interpretation of Coleridge's "The Rime of the Ancient Mariner" and Dante's "Divine Comedy"; and similarities and differences between the theological ideas of MacDonald, C. S. Lewis, Elizabeth Prentiss, and Shusaku Endo.

Haunted Childhoods in George MacDonald reconsiders the nature of death and divine love in the stories of one of Scotland’s most slyly subversive writers for children.

Recent years have seen much controversy regarding a unified Christian doctrine of hell: Do we go to heaven or hell when we die? Or do we cease to exist? Are believers and unbelievers ultimately saved by grace in the end? By focusing on recent theological arguments, Four Views on Hell: Second Edition highlights why the church still needs to wrestle with the doctrine of hell. In the fair-minded and engaging Counterpoints format, four leading scholars introduce us to the current views on eternal judgment, with particular attention given to the new voices that have entered the debate. Contributors and views include: Denny Burk – representing a principle of Eternal Conscious Torment John Stackhouse – representing a principle of Annihilationism (Conditional Immortality) Robin Parry – representing a principle of Universalism (Ultimate Reconciliation) Jerry Walls – representing a principle of Purgatory Preston Sprinkle concludes the discussion by evaluating each view, noting significant points of exchange between the essayists. The interactive nature of the volume allows the reader to reflect on the strengths and weaknesses of each view and come to an informed conclusion. BONUS CONTENT: Includes entire first edition of Four Views on Hell to help readers grasp the history of the discussion and how it has developed over the last twenty years.

George MacDonald (1824–1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the ‘gospel’ proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire, sucking the blood of her children instead of offering them Eucharistic life. In contrast, like Christ, MacDonald offers us a child. Although at first sight a familiar Romantic incarnation, in MacDonald’s theology ‘the child’ becomes an unlikely icon challenging the vampire’s kingdom and confronting the foundations of much of Western theology. John R. de Jong’s meticulously researched study of MacDonald’s work – especially his ‘realist’ and fantasy novels – in its Victorian context is of more than historical interest. In light of the growth of fundamentalist expressions of Christianity, we are encouraged to consider embracing MacDonald’s radical solution to religious vampirism: becoming children.

As a respected authority on MacDonald, Phillips brings a fresh, insightful look at the life, times, and work of this popular yet controversial novelist.

The imagination has been called, 'the principal organ for knowing and responding to disclosures of transcendent truth'. This book probes the theological sources of the imagination, which make it a vital tool for knowing and responding to such disclosures. Kerry Dearborn approaches areas of theology and imagination through a focus on the nineteenth century theologian and writer George MacDonald. MacDonald can be seen as an icon whose life and work open a window to the intersection of word, flesh and image. He communicated the gospel through narrative and image-rich forms which honour truth and address the intellectual, imaginative, spiritual, and emotional needs of his readers. MacDonald was also able to speak prophetically in a number of areas of contemporary concern, such as the nature of suffering, aging and death, environmental degradation, moral imagination and gender issues. Dearborn explores influences which shaped him, along with the wisdom he has offeredin the formation of significant Christian writers in both the nineteenth and twentieth centuries. Authors such as C.S. Lewis, G.K. Chesterton, Dorothy Sayers, J.R.R. Tolkien, W.H. Auden, Frederick Buechner and others attribute to MacDonald key paradigm shifts and insights in their own lives. A study of MacDonald does not offer a formulaic approach to theology and the imagination, but the possibility of gleaning from his rich harvest relevant nourishment for our own day. It also provides a context in which to assess potential weaknesses in imaginative approaches to theology.