An intensely moving account of George III's doomed attempt to create a happy, harmonious family, written with astonishing emotional force by a stunning new history writer. George III came to the throne in 1760 as a man with a mission. He was determined to break with the extraordinarily dysfunctional home lives of his Hanoverian predecessors. He was sure that as a faithful husband and a loving father, he would be not just a happier man but a better ruler as well. During the early part of his reign it seemed as if, against all the odds, his great family project was succeeding. His wife, Queen Charlotte, shared his sense of moral purpose, and together they raised their fifteen children in a climate of loving attention. But as the children grew older, and their wishes and desires developed away from those of their father, it became harder to maintain the illusion of domestic harmony. 'The Strangest Family' is an epic, sprawling family drama, filled with intensely realised characters who leap off the page as we are led deep inside the private lives of the Hanoverians. Written with astonishing emotional force by a stunning new voice in history writing, it is both a window on another world and a universal story that will resonate powerfully with modern readers.

On 12 August 1762, Queen Charlotte gave birth to her first child. Twenty-one years later, to the week, the 15th and youngest was born. All but two children survived to maturity. The eldest of King George III's children, who became Prince Regent and King George IV, is less remembered for his patronage of the arts than for his extravagance, and maltreatment of his wife Caroline. As Commander-in-Chief to the British army, the administrative qualities of Frederick, Duke of York are largely forgotten, while King William IV, usually dismissed as a figure of fun, brought a new affability to the monarchy which helped him through the storms engendered during the passage of the Great Reform Bill in 1832. The princesses, for many years victims of their parents' possessiveness, married late in life, if at all, and are passed off as non-entities. This objective portrayal of the royal family draws upon contemporary sources to lay to rest the gossip and exaggeration.

In the dying years of the 18th century, the corridors of Windsor echoed to the footsteps of six princesses. They were Charlotte, Augusta, Elizabeth, Mary, Sophia, and Amelia, the daughters of King George III and Queen Charlotte of Mecklenburg-Strelitz. Though more than fifteen years divided the births of the eldest sister from the youngest, these princesses all shared a longing for escape. Faced with their father’s illness and their mother’s dominance, for all but one a life away from the seclusion of the royal household seemed like an unobtainable dream. The six daughters of George III were raised to be young ladies and each in her time was one of the most eligible women in the world. Tutored in the arts of royal womanhood, they were trained from infancy in the skills vial to a regal wife but as the king’s illness ravaged him, husbands and opportunities slipped away. Yet even in isolation, the lives of the princesses were filled with incident. From secret romances to dashing equerries, rumors of pregnancy, clandestine marriage and even a run-in with Napoleon, each princess was the leading lady in her own story, whether tragic or inspirational. In The Royal Nunnery: Daughters of George III, take a wander through the hallways of the royal palaces, where the king’s endless ravings echo deep into the night and his daughters strive to be recognized not just as princesses, but as women too.

"Originally published as The strangest family in the U.K. in 2014 by William Collins"--Title page verso.

On 12 August 1762, Queen Charlotte gave birth to her first child. Twenty-one years later, to the week, the 15th and youngest was born. All but two children survived to maturity. The eldest of King George III's children, who became Prince Regent and King George IV, is less remembered for his patronage of the arts than for his extravagance, and maltreatment of his wife Caroline. As Commander-in-Chief to the British army, the administrative qualities of Frederick, Duke of York are largely forgotten, while King William IV, usually dismissed as a figure of fun, brought a new affability to the monarchy which helped him through the storms engendered during the passage of the Great Reform Bill in 1832. The princesses, for many years victims of their parents' possessiveness, married late in life, if at all, and are passed off as non-entities. This objective portrayal of the royal family draws upon contemporary sources to lay to rest the gossip and exaggeration.

The sons of George III were prepared from infancy to take their place on the world's stage, but as the king's health failed and the country lurched from one drama to the next, they found that duty was easier said than done.

In George III: A Personal History, British historian Christopher Hibbert reassesses the royal monarch George III (1738–1820). Rather than reaffirm George III's reputation as “Mad King George,” Hibbert portrays him as not only a competent ruler during most of his reign, but also as a patron of the arts and sciences, as a man of wit and intelligence, indeed, as a man who “greatly enhanced the reputation of the British monarchy” until he was finally stricken by a rare hereditary disease.Teeming with court machinations, sexual intrigues, and familial conflicts, George III opens a window on the tumultuous, rambunctious, revolutionary eighteenth century. It is sure to alter our understanding of this fascinating, complex, and very human king who so strongly shaped England's —and America's—destiny.