DigiCat Publishing presents to you this special edition of "George Edmund Street: Unpublished Notes and Reprinted Papers" by George Edmund Street. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Excerpt from George Edmund Street: Unpublished Notes and Reprinted Papers With an Essay I have written the memorial, brief enough and all inadequate, of a man who died more than thirty years ago, who lived a Tory and a High Churchman, who worked to revive Gothic architecture in England. His books are out of print, his occasional papers and pamphlets so entirely dispersed and forgotten that not even a bibliography can be recovered. His name goes unrecognized in general talk; his party is wasted to a wraith or transformed beyond recognition; his Church is menaced by Disestablishment in Wales, and Modernism on the Continent; his strong and sincere architecture is superseded by steel and concrete; yet no man ever less fought a losing fight, no figure ever less evoked regret or toleration. He prospered, but his personality made that a kind of happy consequence; he served God, but his genius made that a kind of crowning grace; he was an Englishman, but was that in no mean or halfway fashion. Rather, George Street embodied and expressed in his own temper the very genius of the northern kind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is the first book devoted exclusively to Street and his greatest work, the Royal Law Courts in the Strand. George Edmund Street (1824-1881) was a leader of the High Victorian generation of British architects. A prolific and innovative artist, he also played an important role in the reshaping of architectural taste that occurred in England at mid century. This is the first book devoted exclusively to Street and his greatest work, the Royal Law Courts in the Strand. In The Law Courts, David Brownlee makes extensive use of the vast archives of the Public Record Office to document a monument that embodies both the professional controversies surrounding architectural theory and the personal conflicts of an architect caught between two generations of style. More than an examination of a single building, the book is also a history of political and legal reform in the middle of Queen Victoria's reign. In the course of describing the Law Courts in their urban and architectural context, Brownlee also discusses the nature of the bureaucracy that oversaw official patronage of the arts and the demands of clients whose interests often conflicted. He describes the competition in which Street attempted to unite the irregular vigor of Gothic with the quasi-classical symmetry and monumentality appropriate for a public building, the long series of revised designs which increasingly displayed the picturesque qualities of the new Queen Anne taste, and the actual construction of the Courts. This book is volume 8 in the Architectural History Foundation Series.