In this volume, Claudio reminisces about when he was a young, insecure waiter just getting his feet wet. Vanna gets to the bottom of why Teo’s stubborn lack of ambition prevents him from living up to his full potential in the kitchen. A woman running a streak of bad luck finds cheer when Gabriella introduces her to the magical ambience of Casetta dell’Orso. And finally, a mysterious young woman arrives with an important message for Lorenzo. -- VIZ Media

A union list of serials commencing publication after Dec. 31, 1949.

The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.

A definitive biography of Hector Lavoe's rise from Puerto Rico to stardom in New York that led to sold-out concerts and best-selling salsa albums, yet gave way to drug addiction, a strained marriage and tragedy. From the poverty-stricken streets of Ponce, Puerto Rico to the vibrant barrios of New York City, HECTOR LAVOE became the singer of all singers, and the driving-force behind the Salsa movement in the mid-1960s. His popularity rivaled that of his contemporaries, Tito Puente, Celia Cruz and Johnny Pacheco. Behind the music, Hector's life was filled with drugs, alcohol and women. An endless stream of tragedy plagued him, including a gun-related accident that killed his son, Hector's ninth floor jump from a hotel window, and his death in 1993 from AIDS. But Hector's pristine voice, one-of-a-kind stage performances, sold-out concerts and bestselling albums were what his fans remember most and what made him an international icon. His music brought joy to legions of people, and it continues today. Marc Shapiro's Passion and Pain is "A no-holds barred biography" (Uptown Magazine) of a fascinating life.

This five-volume work consists in biographies of the most important writers and thinkers of their time, since 14th until 19th century. Most of them were written by the Romantic writer Mary Shelley. Her extensive knowledge of history and languages, her ability to tell a gripping biographical narrative, and her interest in the burgeoning field of feminist historiography are reflected in these works. She wrote in a style that combined secondary sources, memoir, anecdote, and her own opinions. Her political views are most obvious in the Italian Lives, where she supports the Italian independence movement and promotes republicanism; in the French Lives she portrays women sympathetically, explaining their political and social restrictions and arguing that women can be productive members of society if given the proper educational and social opportunities. Contents: Vol. 1: Lives of the most eminent literary and scientific men of France (Part. I): Montaigne Rabelais Corneille Rochefoucauld Molière La Fontaine Pascal Madame de Sévigné Boileau Racine Fénélon Vol. 2: Lives of the most eminent literary and scientific men of France (Part. II): Voltaire Rousseau Condorcet Mirabeau Madame Roland Madame de Staël. Vol. 3: Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal (Part. I): Dante Petrarch Boccaccio Lorenzo de' Medici, &c. Bojardo Berni Ariosto Machiavelli Vol. 4: Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal (Part. II): Galileo Guicciardini Vittoria Colonna Guarini Tasso Chiabrera Tassoni Marini Filicaja Metastasio Goldoni Alfieri Monti Ugo Foscolo Vol. 5: Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal (Part. III): Boscan Garcilaso de la Vega Diego Hurtado de Mendoza Luis de Leon Herrera Saa de Miranda Jorge de Montemayor Castillejo The early dramatists Ercilla Cervantes Lope de Vega Vicente Espinel; Esteban de Villegas Gongora Quevedo Calderon Early poets of Portugal Camoens

"Forgotten Peace examines Colombian society's attempt to move beyond the Western Hemisphere's worst mid-century conflict and how that effort molded notions of belonging and understandings of the past. In this book, Robert A. Karl reconstructs encounters between government officials, rural peoples, provincial elites, and urban intellectuals during a crucial conjuncture that saw reformist optimism transform into alienation. In addition to offering a sweeping reinterpretation of Colombian history--including the most detailed account of the origins of the FARC insurgency in any language--Karl provides a Colombian vantage on global processes of democratic transition, development, and memory formation in the 1950s and 1960s. Sweeping in scope, Forgotten Peace challenges contemporary theories of violence in Latin America."--Provided by publisher.

In Made in NuYoRico, Marisol Negrón tells the cultural history of salsa, tracing the music’s Nuyorican meanings over a fifty-year period that begins with the establishment of Fania Records in 1964 and how it capitalized on salsa’s Nuyorican imaginary to cultivate a global audience. Drawing on interviews with fans, legendary musicians, and music industry figures as well as analyses of songs, albums, films, and archival documents, Negrón shows how Nuyorican cultural and social histories became embedded in and impacted salsa music's flows during its foundational period in the mid-1960s and its boom in the 1970s. Salsa’s Nuyorican aesthetics challenged mainstream notions of Americanness and Puerto Ricanness and produced an alternative public sphere through which New York’s poor and working-class Puerto Ricans could contest racialization and colonial power. By outlining salsa’s complicated musical, cultural, commercial, racial, gendered, legal, and political entanglements, Negrón demonstrates its centrality to Nuyorican identity and subjectivity.