Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

During its 2,500-year life, the book of Genesis has been the keystone to important claims about God and humanity in Judaism and Christianity, and it plays a central role in contemporary debates about science, politics, and human rights. The authors provide a panoramic history of this iconic book, exploring its impact on Western religion, philosophy, literature, art, and more.

Drawing on the latest in Genesis scholarship, this volume offers twenty-nine essays on a wide range of topics related to Genesis, written by leading experts in the field. Topics include its formation, reception, textual history and translation, themes, theologies, and place within Judaism, Christianity, and Islam.

The genesis of evil. The book of Genesis recites the beginnings of the cosmos and its inhabitants. It also reveals the beginning of evil. Before long, evil infests God's good creation. From there, good and evil coexist and drive the plot of Genesis. In Evil in Genesis, Ingrid Faro uncovers how the Bible's first book presents the meaning of evil. Faro conducts a thorough examination of evil on lexical, exegetical, conceptual, and theological levels. This focused analysis allows the Hebrew terminology to be nuanced and permits Genesis' own distinct voice to be heard. Genesis presents evil as the taking of something good and twisting it for one's own purposes rather than enjoying it how God intended. Faro illuminates the perspective of Genesis on a range of themes, including humanity's participation in evil, evil's consequences, and God's responses to evil.

Genesis for everyday readers Why another book on Genesis? It is a text that is inexhaustible, yielding something new at each reading. Authors Martin Kessler and Karel Deurloo contribute to its understanding with this concise, text-oriented, literary commentary on this fundamental book of the Bible. The authors maintain a clear focus on Genesis and what its words mean in themselves, in their narrative context, and in the context of the Bible. The unifying theme is the birth of Israel among the peoples of the world, beginning with the universal story of God's creation of earth, sky, and seas, moving toward the call of Abram, the first of the patriarchs, through Jacob, his grandson, and Jacob's sons, the progenitors of the twelve tribes of Israel. Clearly written and easy to follow, this book will encourage readers to reach beyond their usual assumptions to find not only information, but much illumination, about this richly layered text. Audience: --Bible study groups --introductory college courses --everyday readers who want to read the Bible with deeper meaning and understanding +

The style of the Hebrew Bible has long been of significant interest to scholars and exegetes alike. Early Jewish and later Christian commentaries point out the importance of the exact wording in interpreting the text, and many an article has been written on features such as repetition and inclusio. With the rise of literary and narrative criticism in biblical studies, these features have received even more attention. The current book stands in the tradition of Robert Alter in that it focuses on how the text of Genesis is written and phrased. More explicitly, it is interested in why Genesis is formulated the way it is and how this affects the reader in his/her encounter with the text. Doubling and Duplicating is not only concerned with a style-as-analysis frame for interpreters but also with its role as a guide for any audience and its gateway to the ancient mind-set (ideological, ontological, and so on). All of the contributors to this collected volume focus on the form of the book of Genesis—that is, on its use of language and formulation. Yet, each author does this in his/her own way, depending on the most fitting tool for the specific research question or based on the researcher’s methodological background. Thus, the essays represent the various approaches in current literary and stylistic criticism as applied to the biblical corpus. Furthermore, the recurring duality of the features discussed in each of the contributions adds to the overall unity of the volume. This recurrence suggests the presence of a stylistic feature in the book of Genesis, the feature of doubling and duplicating, that surpasses the other features of the individual units or stories. This book offers insights about meaning-making on both the micro- and the macro-text levels.

This book shows why Genesis can be trusted to speak about origins. In this single volume Dr Bill Cooper takes on the challenge of the globally accepted media's opinion of the Scriptures we call the Bible. He argues from hard evidence that the Bible is historically accurate throughout -- in everything, prophetical, geographical, linguistic and doctrinal. So whether you come to its perusal from jeering atheism or a longing to know how your own conviction of its truth can be substantiated, read on. Be challenged and be completely reassured. God's Word is true! Part One of this book deals with the antiquity of Genesis, showing how each of its component parts is considerably older than any of the sources proposed for it by the modernist school. Part Two deals with the pre-Christian Flood traditions that are found around the world, which together present a formidable body of evidence for the truth of Genesis when it speaks of the Flood of Noah. Finally, Part Three draws the reader's attention to a certain clay tablet which makes nonsense of the modernist claim that the Flood account found in Genesis is modelled on or derived from the Epic of Gilgamesh or any other proposed source. We call it here the Genesis Flood Tablet. - Publisher.