Generations of Black Life in Kennesaw and Marietta, Georgia is the first documented pictorial history of two rich and diverse black communities during the nineteenth and early twentieth centuries. Through carefully preserved vintage images and informative captions, Lassiter tells a story that is unique, but at the same time recognizable to black communities everywhere.

Coined by Republican strategist Kevin Phillips in 1969 to describe the new alloy of conservatism that united voters across the southern rim of the country, the term "Sunbelt" has since gained currency in the American lexicon. By the early 1970s, the region had come to embody economic growth and an ambitious political culture. With sprawling suburban landscapes, cities like Atlanta, Dallas, and Los Angeles seemed destined to sap influence from the Northeast. Corporate entrepreneurialism and a conservative ethos helped forge the Sunbelt's industrial-labor relations, military spending, education systems, and neighborhood development. Unprecedented migration to the region ensured that these developments worked in concert with sojourners' personal quests for work, family, community, and leisure. In the resplendent Sunbelt the nation seemed to glimpse the American Dream remade. The essays in Sunbelt Rising deploy new analytic tools to explain this region's dramatic rise. Contributors to the volume study the Sunbelt as both a physical entity and a cultural invention. They examine the raised highway, the sprawling prison complex, and the fast-food restaurant as distinctive material contours of a region. In this same vein they delineate distinctive Sunbelt models of corporate and government organization, which came to shape so many aspects of the nation's political and economic future. Contributors also examine literature, religion, and civic engagement to illustrate how a particular Sunbelt cultural sensibility arose that ordered people's lives in a period of tumultuous change. By exploring the interplay between the Sunbelt as a structurally defined space and a culturally imagined place, Sunbelt Rising addresses longstanding debates about region as a category of analysis.

Recreation without Humiliation is the first comprehensive study of Black amusement venues established by Black Americans for Black Americans. Mary Stanton’s extensive research on African American amusement parks in America explores not only segregation, class, and social barriers but also the notion of the ‘pursuit of happiness’ as an inalienable right for all races and classes of people. Inspired by summers spent on Coney Island, where Stanton became curious about the existence of African American amusement parks in America, Stanton’s research uncovered more than fifty such venues, most of which operated during the late nineteenth and early twentieth centuries. These were parks, theaters, juke joints, country clubs, summer colonies, baseball diamonds, and arenas. Although these venues provided much needed recreational services to an underserved Black population, many were threatened by whites, and some destroyed by them. Through her study of these sites of recreation, Stanton illuminates the history of African Americans who strove to create and maintain safe and satisfying entertainment despite segregation. In her research, Stanton also found class divisions among Black American entertainment venues. At the pinnacle of Black society in this era were the upper class, who could afford exclusive Black summer cottages and country clubs. General entertainment for Black working-class families consisted of dancing and drinking in juke joints or patronizing small amusement parks, playgrounds, movie theaters, church-sponsored functions, and Black county fairs. African Americans in the twentieth century, especially in the South, transformed segregation into what historian Earl Lewis calls “congregation.” Congregation implies choice, and this congregation “provided space and support for establishing new amusements, entertainments, music, and dance” without interference or oppression.

A discourse on the historical emergence of African American Churches as dynamic cultural presences which occurred in the aftermath of the Civil War, and specifically in the wake of General Sherman's march from Atlanta to Savannah.

In 1987, the United States Supreme Court decided a case that could have ended the death penalty in the United States. Imprisoned by the Past: Warren McCleskey and the American Death Penalty examines the long history of the American death penalty and its connection to the case of Warren McCleskey, revealing how that case marked a turning point for the history of the death penalty. In this book, Jeffrey L. Kirchmeier explores one of the most important Supreme Court cases in history, a case that raised important questions about race and punishment, and ultimately changed the way we understand the death penalty today. McCleskey's case resulted in one of the most important Supreme Court decisions in U.S. history, where the Court confronted evidence of racial discrimination in the administration of capital punishment. The case currently marks the last time that the Supreme Court had a realistic chance of completely striking down capital punishment. As such, the case also marked a turning point in the death penalty debate in the country. Going back nearly four centuries, this book connects McCleskey's life and crime to the issues that have haunted the American death penalty debate since the first executions by early settlers through the modern twenty-first century death penalty. Imprisoned by the Past ties together three unique American stories. First, the book considers the changing American death penalty across centuries where drastic changes have occurred in the last fifty years. Second, the book discusses the role that race played in that history. And third, the book tells the story of Warren McCleskey and how his life and legal case brought together the other two narratives.

As turbulent social and economic changes swept the South in the first half of the twentieth century, education became the flashpoint. Ann Short Chirhart's study is the first to analyze such modernizing events in Georgia. She shows how these changes affected the creation of the state's public school system and cast its teachers in a crucial role as mediators between transformation and tradition. Depicting Georgia's steps toward modernity through teachers' professional and cultural work and the educational reforms they advocated, Chirhart presents a unique perspective on the convergence of voices across the state calling for reform or continuity, secularism or theology, equality or enforced norms, consumption or self-reliance. Although most teachers, black and white, shared backgrounds rooted in localism and evangelical Protestantism, attitudes about race and gender kept them apart. African American teachers, individually and collectively, redefined traditional beliefs to buttress ideals of racial uplift and to press for equal access to public services. White women adapted similar beliefs in different ways to enhance their efforts to train greater numbers of white students for professional and wage labor. Torches of Light is based on such sources as government archives, manuscript collections, and interviews with teachers. As Chirhart examines the ideas over which Georgians clashed, she also shows how those ideas were embodied in New Deal and U.S. Department of Agriculture programs, the political activities of the black Georgia Teachers and Educators Association, and the Georgia legislature's 1949 Minimum Foundation Act. Through two world wars and the Great Depression, teachers sought to reconcile clashing beliefs not only to renegotiate class, race, and gender roles but also to enhance their own professionalism and authority.