This is a much-needed guide to genealogy software. Along with a variety of other useful features it comprises reviews of the major software programs, including commercial & shareware software as well as utilities. We are all painfully aware of the fact that genealogy software changes rapidly, & indeed over the last few years countless genealogy programs have been orphaned with outdated interfaces, inadequate features, & little or no author support, so for this reason the book concentrates solely on software that is current & is still supported by the author or publisher. In addition, new versions of existing software & frequently released updates result in a quagmire of options & choices, so a guide such as this is not only essential for the computer genealogist, it is absolutely indispensable. Bearing in mind some concerns that might be paramount to the reader, the author tackles a number of frequently asked questions before launching into her software reviews, answering such key questions as the following: Why use genealogy software? What equipment do I need? How do I choose & evaluate a program? What are the different types of software available to me? And where can I buy this software? With such questions authoritatively addressed, the author goes on to list each program's major features; but rather than a mere litany of details, functions, & common characteristics, she tries to provide a sense of what the program actually feels like, providing over eighty sample reports & screen shots of the major genealogy programs & software utilities. In this context it is important to note that only IBM compatible software is reviewed here; Macintosh & other platforms, however, are listed & briefly described.

Jacques Derrida argues that the feminist and intellectual Hélène Cixous is the most important writer working within the French idiom today. To prove this, he elucidates the epistemological and historical interconnectedness of four terms: genesis, genealogy, genre, and genius, and how they pertain to or are implicated in Cixous's work. Derrida explores Cixous's genius (a masculine term in French, he is quick to point out) and the inspiration that guides and informs her writing. He marvels at her skillful working within multiple genres. He focuses on a number of her works, including her extraordinary novel Manhattan and her lyrical and evocative Dream I Tell You, a book addressed to Derrida himself and one in which Cixous presents a series of her dreams. Derrida also delves into the nature of the literary archive, the production of literature, and the importance of the poetic and sexual difference to the entirety of his own work. For forty years, Derrida had a close personal and intellectual relationship with Hélène Cixous. Clever, playful, and eloquent, Geneses, Genealogies, Genres, and Genius charts the influence these two critical giants had on each other and is the most vital work to address Cixous's contribution to French thought.

The cosmos is vastinfinite and incomprehensible. Trillions of galaxies, sextillions of stars, and countless planets, moons, and asteroids all spiral in space, not caring about or noticing what is happening on Earth. But for those living on the planet, a momentous battle prophesied more than fifteen centuries ago by the wizard Merlin is about to begin. Roger Reynolds is one of a small group of super Geniuses who have secretly been influencing the world. He recently defeated a very powerful evil Genius determined to kill him and his beloved wife and daughter, and rule the world. He hoped this victory had ended the threats against his family prophesied by Merlin. But now Roger is being plagued by nightmares and attacked by people whose brains are controlled by an unknown enemy. Roger senses a terrible menace is approaching. Only time will tell whether he is strong enough to protect his family and the world from the coming evil. Merlins sixth-century prophecy unfolds as Roger battles an immensely powerful evil Genius.

Antigone's Daughters? provides the first detailed discussion in English of six well-known Portuguese women writers, working across a wide range of genres: Florbela Espanca (1894-1930), Irene Lisboa (1892-1958), Agustina Bessa Lu's, (1923- ), Nat_lia Correia (1923-93), HZlia Correia (1949 -) and L'dia Jorge (1946 - ). Together they cover the span of the 20th century and afford historical insights into the complex gender politics of achieving institutional acceptance and validation in the Portuguese national canon at different points in the 20th century. Although a patrilinear evolutionary model visibly structures national literary history in Portugal to the present day, women writers and critics have not generally sought to replace this with a matrilinear feminist counter-history. The unifying metaphor that the authors adopt here for the purpose of discussing Portuguese women's ambivalent response to female genealogy is the classical figure of Antigone, who paradoxically sacrifices her own genealogical continuity in the name of defending family and kinship, while resisting the patriarchal pragmatics of state-building. Should women writers, faced with the absence of a female tradition, posit a woman-centred place outside the jurisdiction of male genealogy, however strategically essentialist that place may be, or should they primarily eschew fixed sexual identity to act as unnameable saboteurs, undoing the law of patriarchal tradition from within?