This book explores the politics of gender and democracy in post-communist Europe. Utilising the concept of political representation, the book scrutinises women’s legislative presence and highlights the opportunities and obstacles to parity democracy in this region of Europe. The book examines the link between women’s membership of national parliaments and the substantive representation of gender interests. It investigates the role of civil society, the state and the European Union in representing women’s interests and in promoting gender politics. The book provides an important and timely contribution to the classical political questions of who represents, what is represented, and how representation takes place. In adopting an integrated approach to political representation, the book extends current understanding of this fundamental concept. Using new research, it provides the first comprehensive comparative analysis of the interplay between emerging democracies and gender politics in post-communist Europe.

This book explores the politics of gender and democracy in post-communist Europe. Utilising the concept of political representation, the book scrutinises women’s legislative presence and highlights the opportunities and obstacles to parity democracy in this region of Europe. The book examines the link between women’s membership of national parliaments and the substantive representation of gender interests. It investigates the role of civil society, the state and the European Union in representing women’s interests and in promoting gender politics. The book provides an important and timely contribution to the classical political questions of who represents, what is represented, and how representation takes place. In adopting an integrated approach to political representation, the book extends current understanding of this fundamental concept. Using new research, it provides the first comprehensive comparative analysis of the interplay between emerging democracies and gender politics in post-communist Europe.

With the collapse of communism, a new world seemed to open for the peoples of East Central Europe. The possibilities this world presented, and the costs it exacted, have been experienced differently by men and women. Susan Gal and Gail Kligman explore these differences through a probing analysis of the role of gender in reshaping politics and social relations since 1989. The authors raise two crucial questions: How are gender relations and ideas about gender shaping political and economic change in the region? And what forms of gender inequality are emerging as a result? The book provides a rich understanding of gender relations and their significance in social and institutional transformations. Gal and Kligman offer a systematic comparison of East Central European gender relations with those of western welfare states, and with the presocialist, bourgeois past. Throughout this essay, the authors attend to historical comparisons as well as cross regional interactions and contrasts. Their work contributes importantly to the study of postsocialism, and to the broader feminist literature that critically examines how states and political-economic processes are gendered, and how states and markets regulate gender relations.

The striking fact that abortion was among the first issues raised, after 1989, by almost all of the newly formed governments of East Central Europe points to the significance of gender and reproduction in the postsocialist transformations. The fourteen studies in this volume result from a comparative, collaborative research project on the complex relationship between ideas and practices of gender, and political economic change. The book presents detailed evidence about women's and men's new circumstances in eight of the former communist countries, exploring the intersection of politics and the life cycle, the differential effects of economic restructuring, and women's public and political participation. Individual contributions on the former German Democratic Republic, Poland, the Czech Republic, Slovakia, Hungary, Serbia, Romania, and Bulgaria provide rich empirical data and interpretive insights on postsocialist transformation analyzed from a gendered perspective. Drawing on multiple methods and disciplines, these original papers advance scholarship in several fields, including anthropology, sociology, women's studies, law, comparative political science, and regional studies. The analyses make clear that practices of gender, and ideas about the differences between men and women, have been crucial in shaping the broad social changes that have followed the collapse of communism. In addition to the editors, the contributors are Eleonora Zieliãska, Eva Maleck-Lewy, Myra Marx Ferree, Sharon Wolchik, Irene Dölling, Daphne Hahn, Sylka Scholz, Mira Marody, Anna Giza-Poleszczuk, Katalin Kovács, Mónika Váradi, Julia Szalai, Adriana Baban, MaÏgorzata Fuszara, Laura Grunberg, Zorica Mrseviâ, Krassimira Daskalova, Joanna Goven, and Jasmina Lukiâ.

When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers. Piotrowski discusses communist memory, the critique of nationalism, issues of gender, and the representation of historic trauma in contemporary museology, particularly in the recent founding of contemporary art museums in Bucharest, Tallinn, and Warsaw. He reveals the anarchistic motifs that had a rich tradition in Eastern European art and the recent emergence of a utopian vision and provides close readings of many artists—including Ilya Kavakov and Krzysztof Wodiczko—as well as Marina Abramovic’s work that responded to the atrocities of the Balkans. A cogent investigation of the artistic reorientation of Eastern Europe, this book fills a major gap in contemporary artistic and political discourse.

True examines political and gendered identities in flux in post-communist Czech Republic. She argues that the privatization of a formerly state economy and the adoption of consumer-oriented market practices were shaped by ideas and attitudes about gender roles. This book also offers a provocative general thesis about the inextricable linkages between political and economic changes and gender identities.

Southeast European politics cannot be understood without considering ethnic minorities. This book is a comprehensive introduction to ethnic political parties.