This 37th volume of the Yearbook of Women's History focuses on the meaning and potential of archiving for enhancing gender equality and the position of women worldwide. More than just storehouses of knowledge, archives offer new ways for understanding the past, debating the present and creating the future. Focusing on both traditional and non-traditional archival practices, in various parts of the world, the Yearbook of Women’s History explores the meaning of archiving for women and women’s history. Besides investigating the feminist potential of the archive, it also examines questions of erasure and forgetting. While archives may have emancipatory or democratizing potential, practices of discarding equally shape the histories that can be written, and the stories that can be told. The articles in this volume are alternated with descriptions of collections and institutes, and the topics addressed cover a full range of archival theory and practice. This volume has been produced by the editorial board of the Yearbook of Women's History in collaboration with Atria, institute on gender equality and women's history in Amsterdam, the Netherlands.

Women's archives hold a significant place in the historical record, illuminating stories of individuals who had an impact on our past in both powerful and quiet ways. The history of the archives themselves and the struggle to achieve equal representation within the historical record also tell a valuable story, one that deftly examines American culture and society over the past few centuries. In Perspectives on Women's Archives, 18 essays written by noted archivists and historians illustrate the origins of a women-centered history, the urgent need to locate records that highlight the diverse experiences of women, and the effort to document women's experiences. The essays also expose the need for renewed collaboration between archivists and historians, the challenges related to the accessibility of women's collections, and the development of community archives. Ultimately, archival relevancy is reinforced, not diminished, by sharing resources and exposing absences. This book inspires new thinking about the value of women's archives and how to fill the gaps in our recordkeeping to move toward a more diverse and inclusive future.

Editor Biography:Josefa Ros Velasco (1987) received degrees in Philosophy (2010) and in Advertising and Public Relations (2011) with Honors from the University of Murcia. She also received a Master's in Contemporary Thought (2011) and in Teacher Education (2012) with Honors from the same institution. Excellent Program of Doctor in Philosophy at University Complutense of Madrid. She is FPU scholar by Spanish Ministry of Education, Culture and Sports in the Department of the History of Philosophy (UCM). DAAD scholar at Internationales Zentrum f�r Kultur und Technikforschung (IZKT Stuttgart Universit�t) in 2013; Deutsches Literatur-Archiv Marbach (DLA) "Einmonatiges" Scholar in 2014; FPU short-term research scholar at DLA in 2014. Research groups: "Saavedra Fajardo Library of Hispanic Political Thought" (HUM2007-60799); "History and Videogames: the impact of new media entertainment on the medieval past knowledge" (HAR2011-25548). Research areas: Hans Blumenberg's philosophy, Anthropology, Prehistory, Hipochondria, Boredom. Papers (selection): Paradigms for a Metaphorology of the Cosmos, Studies in History and Philosophy of Physics, 52 (2015); The Evolution of Language: An Anthropological Approach, Evolutionary Anthropology, 25 (2016).Book Description:Presently, our concern for the social, political and economic situation of women remains as valid as it was in the last century. Despite the progress made worldwide, we continue to witness a reality in which gender issues generate injustice, lack of freedom and violation of human rights. Researchers constantly strive to analyze women phenomena and denounce its consequences in the attempt to achieve an egalitarian world in which differences are understood and respected. This book is one of the fruits of such efforts. Scholars interested in women's issues have joined in this volume in order to register, through their work, a commitment to progress towards a better society. With this work, the authors attempt to promote the voice of women who, even in the twenty-first century, feel deprived of their well-deserved security. At the same time, they attempt not only to keep alive the awareness about women's situation, but also create an academic meeting point that shows the most current areas of research around women's issue. Through this collaboration, the authors hope to achieve a review of contemporary approaches to women's studies. It is for all the above that they have entitled this book Feminism: Past, Present, and Future Perspectives, because the authors are going to address how humanity is coping with the proposals of the last century. The authors want to show the most current points of view on women's issues through researches that are taking place in different geographic places, thanks to a procedure based on the case studies and methods. Finally, they will attempt to clarify what the future holds for women and state their demands firsthand.Target Audience:i)

This volume invites teachers and students in women's studies to engage with the library not as an instrument for preserving and disseminating knowledge (including feminist knowledge), but as a subject and object of knowledge in its own right.

This is the first authoritative reference work to map the multifaceted and vibrant site of citizen media research and practice, incorporating insights from across a wide range of scholarly areas. Citizen media is a fast-evolving terrain that cuts across a variety of disciplines. It explores the physical artefacts, digital content, performative interventions, practices and discursive expressions of affective sociality that ordinary citizens produce as they participate in public life to effect aesthetic or socio-political change. The seventy-seven entries featured in this pioneering resource provide a rigorous overview of extant scholarship, deliver a robust critique of key research themes and anticipate new directions for research on a variety of topics. Cross-references and recommended reading suggestions are included at the end of each entry to allow scholars from different disciplinary backgrounds to identify relevant connections across diverse areas of citizen media scholarship and explore further avenues of research. Featuring contributions by leading scholars and supported by an international panel of consultant editors, the Encyclopedia is essential reading for undergraduate and postgraduate students as well as researchers in media studies, social movement studies, performance studies, political science and a variety of other disciplines across the humanities and social sciences. It will also be of interest to non-academics involved in activist movements and those working to effect change in various areas of social life.

There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.