Based on the personal journals of Robert Grenville Gayer-Anderson (1881-1945), Egyptologist, poet, surgeon, soldier, psychic, and noted collector, this candid and charming historical biography tells of Gayer-Anderson's strange and eclectic life in the final days of the British empire. As a child, he crossed an unforgiving America with his entrepreneurial and eccentric Irish parents. As a man, he immersed himself in the Arab way of life as colonials seldom did; he saw ghosts and witches, sailed the Nile, wrestled Turks and crocodiles, fought at Gallipoli, smoked opium, performed surgery in the desert, gathered and cared for artefacts and boys in his Cairene home, survived an assassination attempt and, in the name of science and Henry Wellcome, in flowery glades he boiled the flesh from the skulls of Nuba warriors. His personal journals are filled with frank accounts of his exploits and of the illustrious and colorful people who wandered by: Lawrence of Arabia, Gordon, Kitchener, Conan-Doyle, Eric Gill, and Stephen Spender, among others. Drugs, race, class, family, sex, and selfhood are vividly mixed in this tale of two wars, colonial life, medicine, anthropology, and psychic phenomena. The stiff-upper-lipped ritual of a very British upbringing vied with his Romantic and consuming love of beauty, vividly embodied in the Gayer-Anderson Museum in Cairo, which to this day houses his vast collection of carpets, furniture, glassware, and other curios.

The Gayer-Anderson Cat has been one of the most admired objects at the British Museum since its arrival in 1947. This book presents a detailed description of the cat and a discussion of its possible meaning and role in ancient times. Surprising new finds from scientific analyses are presented for the first time, shedding light on the cats somewhat traumatic modern history, from its acquisition by the British Army major and avid antiquities collector John Gayer-Anderson to its donation to the British Museum. The fascinating narrative is complemented by outstanding new photography.

Egyptologist Jack A. Josephson, a writer and researcher in the tradition of the gentleman scholar, has achieved broad recognition as an authority in Egyptian art history. His lucid investigative analyses have probed and redefined the limits of inquiry, expanded research parameters, and broadened perspectives, emphasizing the undeniable contributions of art history in an intra-disciplinary framework. This volume of collected essays is dedicated to Josephson by distinguished friends and colleagues, a select roster including eminent, established scholars in the field of Egyptology and rising stars of the younger generation. Josephson views Egyptian art history as a critical but neglected area of study, and is a strong proponent of its reinstatement in the academic curriculum as an essential component in the formation of new cadres. The quality of the articles in this Egyptological medley is a tribute to the honoree and an affirmation of the esteem of his peers, while the range of subjects and variety of themes addressed reflect the degree to which he has, in his own scholarship, undertaken to implement his ideal.

The House of the Cretan Woman, Bait al-Kretliya, is a sixteenth-century merchant's house that stands adjacent to the ninth-century mosque of Ibn Tulun, in one of the oldest quarters of Cairo. Both the house and the mosque are the subjects of the popular myths gathered in this magical book. In the 1930s the house served as the home of Gayer-Anderson Pasha, an English doctor and art collector, who furnished it with his collections and left it to the Egyptian government in 1945, and it was Gayer-Anderson who collected and translated the stories that are the subject of this book from Sheikh Sulaiman, the last head of the Kretli family and guardian of the saint's tomb that flanks the house. He also commissioned a local artisan to create a series of illustrations on copper plates, one to depict each of the fourteen legends, and published the stories with the drawings, along with his own introductory description of the house, in a small edition in England in 1951 that is now long out of print. For this new edition of this classic book, the author's grandson, Theo Gayer-Anderson, an illustrator and a specialist in restoration and conservation, has enhanced and added color to the original monochrome drawings to reanimate the world of benevolent serpents, magical wells, sultans and serving girls, djinns and saints that surrounds the house and the mosque. This unique collection is a significant piece of local history that offers a fascinating sidelight on two of Cairo's best known monuments.

A collection of papers from the Egyptologists' Electronic Forum (http: //welcome.to/EEF) on a variety of Egyptological topics, of interest to both professionals and laypersons. Five broad themes may be discerned: royalty in ancient Egypt, scarabs and funerary items, archaeology and early Egypt, Egyptology - past, present and future, and ancient Egyptian language, science and religion

The writing of Irish American history has been transformed since the 1960s. This volume demonstrates how scholars from many disciplines are addressing not only issues of emigration, politics, and social class but also race, labor, gender, representation, historical memory, and return (both literal and symbolic) to Ireland. This recent scholarship embraces Protestants as well as Catholics, incorporates analysis from geography, sociology, and literary criticism, and proposes a genuinely transnational framework giving attention to both sides of the Atlantic. This book combines two special issues of the journal Éire-Ireland with additional new material. The contributors include Tyler Anbinder, Thomas J. Archdeacon, Bruce D. Boling, Maurice J. Bric, Mary P. Corcoran, Mary E. Daly, Catherine M. Eagan, Ruth-Ann M. Harris, Diane M. Hotten-Somers, William Jenkins, Patricia Kelleher, Líam Kennedy, Kerby A. Miller, Harvey O'Brien, Matthew J. O'Brien, Timothy M. O'Neil, and Fionnghuala Sweeney.

Written in memory of the late Cyril Aldred, one of the world's most highly regarded experts in Egyptian art, the 30 original and thought-provoking essays in this volume, by an international team of leading scholars, are a major contribution to Egyptian art history, to Egyptology and to art history in general.