Garry Shead is one of Australia's most highly acclaimed lyrical figurative painters and has been in the public eye since his first solo exhibition mid 1960s. Grishin argues that despite the stylistic diversity, there exists a single unifying thread throughout his work an erotic impulse.

This is a major, and deeply thoughtful, contribution to understanding uncertainty and risk. Our world and its unprecedented challenges need such ways of thinking! Much more than a set of contributions from different disciplines, this book leads you to explore your own way of perceiving your own area of work. An outstanding contribution that will stay on my shelves for many years. Dr Neil T. M. Hamilton, Director, WWF International Arctic Programme This collection of essays provides a unique and fascinating overview of perspectives on uncertainty and risk across a wide variety of disciplines. It is a valuable and accessible sourcebook for specialists and laypeople alike. Professor Renate Schubert, Head of the Institute for Environmental Decisions and Chair of Economics at the Swiss Federal Institute of Technology This comprehensive collection of disciplinary perspectives on uncertainty is a definitive guide to contemporary insights into this Achilles heel of modernity and the endemic hubris of institutional science in its role as public authority. It gives firm foundations to the fundamental historic shift now underway in the world, towards normalizing acceptance of the immanent condition of ignorance and of its practical corollaries: contingency, uncontrol, and respect for difference. Brian Wynne, Professor of Science Studies, Lancaster University Bammer and Smithson have assembled a fascinating, important collection of papers on uncertainty and its management. The integrative nature of Uncertainty and Risk makes it a landmark in the intellectual history of this vital cross-disciplinary concept. George Cvetkovich, Director, Center for Cross-Cultural Research, Western Washington University Uncertainty governs our lives. From the unknowns of living with the risks of terrorism to developing policies on genetically modified foods, or disaster planning for catastrophic climate change, how we conceptualize, evaluate and cope with uncertainty drives our actions and deployment of resources, decisions and priorities. In this thorough and wide-ranging volume, theoretical perspectives are drawn from art history, complexity science, economics, futures, history, law, philosophy, physics, psychology, statistics and theology. On a practical level, uncertainty is examined in emergency management, intelligence, law enforcement, music, policy and politics. Key problems that are a subject of focus are environmental management, communicable diseases and illicit drugs. Opening and closing sections of the book provide major conceptual strands in uncertainty thinking and develop an integrated view of the nature of uncertainty, uncertainty as a motivating or de-motivating force, and strategies for coping and managing under uncertainty.

Militarism is the elephant in the room of global warming. Of all government sectors, 'Defence' has the highest carbon footprint and expenditure, yet has largely been exempt from international scrutiny and regulation. Marty Branagan uses Australian and international case studies to show that nonviolence is a viable alternative to militarism for national defence and regime change. 'Active resistance', initiated in Australian environmental blockades and now adopted globally, makes the song 'We Shall Not Be Moved' much more realistic, as activists erect tripod villages, bury, chain and cement themselves into the ground, and 'lock-on' to machinery and gates. Active resistance, 'artistic activism', and use of new information and communication technologies in movements such as the Arab Spring and 'Occupy' demonstrate that nonviolence is an effective, evolving praxis.

Explores the nature, the meaning, and the very history of the idea of beauty in Western culture; illustrated with abundant examples of painting and sculpture and lengthy quotations from writers and philosophers. Demonstrates how every historical era has had its own ideas about eye-appeal.