In garden research, Spanish and Portuguese green spaces are scarcely visible. This is a striking contrast not only to their diversity and quality but also to the global network of both countries, especially during the Early Modern period. To counterbalance this, specialists from Spain, Portugal and Germany gathered in 2021 on an international and interdisciplinary conference. In the Portuguese Palace of Queluz they discussed the fundamental issues of garden art on the Iberian Peninsula. Their contributions are collected in this book. They are proof of a cross-border transcultural approach, which has freed itself from ­national stereotypes. Also, it addresses insights which have been derived from the cultural interaction across the centuries and the different epochs of garden art.

This volume approaches the history of water in the Iberian Peninsula in a novel way, by linking it to the ongoing international debate on water crisis and solutions to overcome the lack of water in the Mediterranean. What water devices were found? What were the models for these devices? How were they distributed in the villas and monastic enclosures? What impact did hydraulic theoretical knowledge have on these water systems, and how could these systems impact on hydraulic technology? Guided by these questions, this book covers the history of water in the most significant cities, the role of water in landscape transformation, the irrigation systems and water devices in gardens and villas, and, lastly, the theoretical and educational background on water management and hydraulics in the Iberian Peninsula between the sixteenth and the nineteenth centuries. Historiography on water management in the territory that is today Spain has highlighted the region’s role as a mediator between the Islamic masters of water and the Christian world. The history of water in Portugal is less known, and it has been taken for granted that is similar to its neighbour. This book compares two countries that have the same historical roots and, therefore, many similar stories, but at the same time, offers insights into particular aspects of each country. It is recommended for scholars and researchers interested in any field of history of the early modern period and of the nineteenth century, as well as general readers interested in studies on the Iberian Peninsula, since it was the role model for many settlements in South America, Asia and Africa.

This book provides a compact, up-to-date and detailed overview of the vegetation of the Iberian Peninsula, a highly diverse part of Europe in the Mediterranean area. Written by a group of experienced researchers, the volume includes a first section with general chapters discussing the climate, the biogeography and the flora, and a second section with detailed descriptions of the 14 regional sectors into which the peninsula and Balearic Islands have been divided. A third section explores special features, such as aquatic vegetation, gypsum and dolomite vegetation, coastal vegetation, mountain flora and vegetation, conservation issues and alien flora.

This authoritative title is the definitive avifauna covering the Iberian Peninsula. The Iberian Peninsula is one of Europe's most ornithologically varied regions offering a host of regional specialities. It includes famous birding hotspots such as the Coto Donaña wetlands, mountainous areas such as the Picos de Europa and the Pyrenees, the Mediterranean cork and holm oak forests of the southwest, the migration crossroads of the Strait of Gibraltar and the steppe-like plains of Extremadura and Alentejo. Large numbers of birders from around Europe visit the region to see this wealth of winged wildlife, but to date there has been no comprehensive regional avifauna in English. Birds of the Iberian Peninsula is a national avifauna that fills this gap in the ornithological literature. Full-colour throughout, the book begins with authoritative introductory chapters covering subjects such as geography, climate, habitats, the history of Iberian ornithology and the composition of the avifauna. The species accounts then cover every species recorded in mainland Spain, the Balearic Islands, Portugal, Gibraltar and Andorra, including the many vagrants. For each species there is detailed treatment of distribution – with maps of breeding and wintering ranges – habitat selection, population trends, historical and current status, migration and conservation.

From Italy to Switzerland, Germany to Spain, and Philadelphia to New Orleans, Anne Sinkler Whaley LeClercq describes the beauty of different historic gardens in this collection of essays. A Grand Tour of Gardens: Traveling in Beauty through Western Europe and the United States showcases her excursions to historic gardens around the world. Through her own experiences LeClercq enables the garden adventurer to anticipate the world of color, design, and horticulture in each magnificent garden described here. The essays in A Grand Tour of Gardens are filled with history, plant lore, anecdote, and high-society gossip of the most famous public and private gardens of the United States and Europe. A Grand Tour of Gardens begins with an essay by LeClercq's mother, the late Emily Whaley. "Gardening as Art and Entertainment" discusses Whaley's iconic garden on Church Street in Charleston, South Carolina, and its other gardens that she knew and describes here. For every garden visited, LeClercq vividly details new combinations of horticultural art forms and enlivens the reader's imagination. Traveling to Claude Monet's Garden at Giverny, France; Frederick Law Olmstead's Biltmore Estate in Asheville, North Carolina; and the garden of Beatrice Rothschild on the Cote d'Azure, LeClercq features these gardens in words and illustrations. A Grand Tour of Gardens serves as a roadmap for viewing gardens worldwide and provides a set of rubrics for assessing design elements of each garden. The tips shared in these essays provide a visitor with the tools for deciphering the "language" of a nursery. In eight fun-filled chapters, A Grand Tour of Gardens takes the reader on a worldwide visit to the discovery of historic gardens as a source of art, inspiration, and entertainment.