Gardens of Grief, a sequel to Boston Teran's literary classic, The Creed of Violence, is not only a powerful and thrilling piece of literature, it is also a forceful condemnation of one of the most monstrous and controversial events of the twentieth century-the Armenian genocide. In 1915, Islamic fundamentalists in Turkey annihilated two million innocent Armenians. Were the atrocities committed by the Turkish government an unfortunate act of war, or the methodical extermination of a people that was unequalled in history up to that time? The novel has been compared to Hemingway's For Whom the Bell Tolls, where honor and bravery align with selflessness, to the impassioned advocacy for justice of Emile Zola's J'Accuse, the writer's 1898 open letter on the Dreyfus Affair, and to the work of Solzhenitsyn, for his treatment of the horrors of oppression.

A “poignant, painful, and gorgeous” memoir that explores siblinghood, adolescence, and grief for a family shattered by loss (Alicia Garza, cocreator, Black Lives Matter). Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family is torn apart when he is murdered as a result of gun violence. The Names of All the Flowers connects one tragic death to a collective grief for all black people who die too young. A lyrical recounting of a life lost, Melissa Valentine’s debut memoir is an intimate portrait of a family fractured by the school-to-prison pipeline and an enduring love letter to an adored older brother. It is a call for justice amid endless cycles of violence, grief, and trauma, declaring: “We are all witness and therefore no one is spared from this loss.” “A portrait of a place, a person who died too young, the systems that led to that death, and the keen insights of the author herself. Lyrical and smart, with appropriate undercurrents of rage.” —Emily Raboteau, author of Searching for Zion “Eloquently poignant.” —Kirkus Reviews

"With Grief Came Gardens" aims to encompass the entirety of my nineteen years of life and experience through poetry, short stories, and prose. This is a documentation of all the feels (the good, the bad, and the ugly), throughout my duration on mother earth thus far. When reading, "With Grief Came Gardens," I ask that you do so gently. Embrace my truth with open arms and a heart of vulnerability. This is me. The parts that I keep hidden so well that you wouldn't have otherwise known of. This book is separated into four sections titled grievance, lost files, light and love.This book is my baby. Handle her with care. It is my soul on paper. I hope that within these pages you see not only me, but yourself: understand that no matter how lonely you may feel, you are never truly alone. There is a community behind you, whether you've met them or not, they're there. I'm here.

A grieving widow discovers a most unexpected form of healing—hunting for mushrooms. “Moving . . . Long tells the story of finding hope after despair lightly and artfully, with self-effacement and so much gentle good nature.”—The New York Times Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. The Way Through the Woods tells the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight: salmon-pink Bloody Milk Caps, which ooze red liquid when cut; delectable morels, prized for their earthy yet delicate flavor; and bioluminescent mushrooms that light up the forest at night. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life. Praise for The Way Through the Woods “In her search for new meaning in life after the death of her husband, Long Litt Woon undertook the study of mushrooms. What she found in the woods, and expresses with such tender joy in this heartfelt memoir, was nothing less than salvation.”—Eugenia Bone, author of Mycophilia and Microbia

Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.

An ex-member of a bloodthirsty cult must pair up with a police officer to take down the group’s murderous leader in this dark, wrenching thriller about personal conviction, retribution, and survival. Soon to be a major motion picture starring Jamie Foxx, Nikolaj Coster-Waldau, Maika Monroe, and January Jones “In a word: Wow. God Is a Bullet is a kick-ass, in-your-face tour de force from start to finish.”—Harlan Coben, #1 New York Times bestselling author of The Match Case Hardin has stared into the face of evil and lived. Now Case learns that the satanic cult that turned her from a lost child into a broken, drug-addicted shell of a woman has taken down more victims, butchering a man and a woman in their suburban home and abducting a young girl. Fueled by rage and the need to redeem her life, Case teams up with the missing girl’s father—a straight-arrow desk cop named Bob Hightower—to track the girl down. With Case as his mentor, Hightower will begin a hunt through the satanic underground few have encountered and even fewer have survived, to pry his child from the hands of a madman. WINNER OF THE CWA NEW BLOOD DAGGER AWARD • EDGAR AWARD FINALIST

In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.