Took all this time to actually in fact bite our own tail to learn that that hurts; I guess it was worth it. / Developed a taste for tails. The prose poems of Ganymede's Dog startle myths back to life, whether Ganymede's abduction by Zeus in the form of an eagle, his abduction by a century's worth of Budweiser labels, Sophocles's boozy boy-chasing, or the dancing plague of 1518. John Emil Vincent teases his materials into surreal, joyous, dirty, sometimes gruesome animation. His revelations arrive in the guise of other characters, and throughout, there are dogs. Dog-themed philosophy, dog-headed saints, dog-worshipping island rituals, and just plain dogs invite the reader to puppy-pile with Petronius, Catherine the Great, and Saint Christopher in a sapiosexual orgy with autocorrect handling the towels. Deeply infused with gay culture and mythology, Ganymede's Dog is a collection of smart, knowing, allusive, often ironic poems that ponder the boundaries of legend and the privileges of youth and beauty.

As a radical Christian Lebanese sect secretly plans an act of terrorism, Colin Gordon begins his next assignment at the American Embassy in Germany. Masquerading as a Foreign Service reserve officer, Gordon is in fact a senior CIA case officer with a specialty in obtaining unauthorized views of foreign governments. But when he receives a postcard from his operational contact Ganymede, everything around him begins to change. As the militia launches a series of attacks against United States interests that reach far beyond the mayhem of war-torn Lebanon, Gordons dangerous journey to the truth leads him through the streets of Beirut and Athens, to a terrorist training camp in North Africa, and finally to New York and Washington, where the Secretary of State faces a perilous fight for his life. In this fast-paced tale of international intrigue, tensions between truth and spin rise as a spy with unmatched instincts is immersed in a dangerous and bold strategy to lure the United States into a conflict like no other.

The third book in the Clockwork Century series, following Cherie Priest's steampunk adventure--and runaway hit--Boneshaker and its sequel, Dreadnought The air pirate Andan Cly is going straight. Well, straighter. Although he's happy to run alcohol guns wherever the money's good, he doesn't think the world needs more sap, or its increasingly ugly side-effects. But becoming legit is easier said than done, and Cly's first legal gig—a supply run for the Seattle Underground—will be paid for by sap money. New Orleans is not Cly's first pick for a shopping run. He loved the Big Easy once, back when he also loved a beautiful mixed-race prostitute named Josephine Early—but that was a decade ago, and he hasn't looked back since. Jo's still thinking about him, though, or so he learns when he gets a telegram about a peculiar piloting job. It's a chance to complete two lucrative jobs at once, one he can't refuse. He sends his old paramour a note and heads for New Orleans, with no idea of what he's in for—or what she wants him to fly. But he won't be flying. Not exactly. Hidden at the bottom of Lake Pontchartrain lurks an astonishing war machine, an immense submersible called the Ganymede. This prototype could end the war, if only anyone had the faintest idea of how to operate it.... If only they could sneak it past the Southern forces at the mouth of the Mississippi River... If only it hadn't killed most of the men who'd ever set foot inside it. But it's those "if onlys" that will decide whether Cly and his crew will end up in the history books, or at the bottom of the ocean. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

She had come to life, but she was not human. Leigh Brackett was the undisputed Queen of Space Opera and the first women to be nominated for the coveted Hugo Award. She wrote short stories, novels, and scripts for Hollywood. She wrote the first draft of the Empire Strikes Back shortly before her death in 1978.

GANYMEDES CUP reveals a palimpsest that exposes the inextricable relationship between human beings and the ties that bind them to a world where the lines that separate good and evil are not only porous but also entwined. Stephen Lawrence, an intern with a prestigious NewYork firm, finds that he is a twenty-fifirst century Ganymede and cup-bearer to the gods of commodity culture, gender identity, and stem cell research. The Twin Towers loom large in the background as Stephen tries to maintain his ethical standards in the midst of a chaotic, consumer-driven world that grasps the innocent and ascends with them to the twenty-first century Mount Olympus of cultural consumerism.