"Sal Cupertine is back—and better than ever. I love this guy." —Lee Child "Gangster Nation is a razor. It will slice you open and reveal your insides. And like the best of Tod Goldberg's work, it'll show you everything you are at your core." —Brad Meltzer, New York Times bestselling author of The President's Shadow It's been two years since the events of Gangsterland, when legendary Chicago hitman Sal Cupertine disappeared into the guise of Vegas Rabbi David Cohen. It’s September of 2001 and for David, everything is coming up gold: Temple membership is on the rise, the new private school is raking it in, and the mortuary and cemetery—where Cohen has been laundering bodies for the mob—is minting cash. But Sal wants out. He’s got money stashed in safe–deposit boxes all over the city. He’s looking at places to escape to, Mexico or maybe Argentina. He only needs to make it through the High Holidays, and he’ll have enough money to slip away, grab his wife and kid, and start fresh. Across the country, former FBI agent Matthew Drew is now running security for an Indian Casino outside of Milwaukee, spending his off–time stalking members of The Family, looking for vengeance for the murder of his former partner. So when Sal’s cousin stumbles into the casino one night, Matthew takes the law into his own hands—again—touching off a series of events that will have Rabbi Cohen running for his life, trapped in Las Vegas, with the law, society, and the post–9/11 world closing in around him. Gangster Nation is a thrilling follow–up to Gangsterland, an unexpected, page–turning examination of the seedy foundations of American life. With the wit and gritty glamor that defines his writing, Goldberg traces how the things we most value in our lives—home, health, even our spiritual lives—have been built on the enterprises of criminals.

Raymond Carver meets Elmore Leonard in this extraordinary collection of contemporary crime writing set in the critically acclaimed Gangsterland universe, a series called "gloriously original" by The New York Times Book Review. With gimlet-eyed cool and razor-sharp wit, these spare, stylish stories from a master of modern crime fiction assemble a world of gangsters and con men, of do-gooders breaking bad and those caught in the crossfire. The uncle of an FBI agent spends his life as sheriff in different cities, living too close to the violent acts of men; a cocktail waitress moves through several desert towns trying to escape the unexplainable loss of an adopted daughter; a drug dealer with a penchant for karaoke meets a talkative lawyer and a silent clown in a Palm Springs bar. Witty, brutal, and fast-paced, these stories expand upon the saga of Chicago hitman-turned-Vegas-rabbi Sal Cupertine--first introduced in Gangsterland and continued in Gangster Nation--while revealing how the line between good and bad is often a mirage.

Fourteen-year-old Jonathan Brooks would like nothing more than to relax for a few hours and read his comic book. But Gangsterland is no ordinary comic book. When Jonathan actually disappears inside the books, he's dropped into a world of dueling gangsters, a flapper with a fantastic secret and a murder that binds them all. He must decide to become the hero or the final page may trap him inside forever.

After his estranged wife disappears, a husband returns to the remote lake house where their young daughter died, and he soon loses his grip on reality. Paul Luden has been haunted by a memory he can't recall. Whatever happened to his marriage, to his two-year-old daughter, is too traumatic to remember, so his unconscious has chosen to block out key details. But when he receives a phone call from the small lake town where they'd lived, telling him that no one had seen or heard from his wife in ten days, he knows what he has to do. He and his nineteen-year-old girlfriend drive from L.A. to Washington State where he's forced to confront his past. And as he pieces together his buried memories, Paul unravels mentally, falls into self-destructive trances and ultimately discovers the truth about his wife.

A perfect balance of humor and pathos, Other Resort Cities is Goldberg at his best.

A secret worth killing for, a woman with no past, and an act of treason that changed America: #1 bestselling author Brad Meltzer returns with The House of Secrets. "When Hazel Nash was six years old, her father taught her: mysteries need to be solved. He should know. Hazel's father is Jack Nash, the host of America's favorite conspiracy TV show, The House of Secrets. Even as a child, she loved hearing her dad's tall tales, especially the one about a leather book belonging to Benedict Arnold that was hidden in a corpse. Now, years later, Hazel wakes up in the hospital and remembers nothing, not even her own name. She's told she's been in a car accident that killed her father and injured her brother. But she can't remember any of it, because of her own traumatic brain injury. Then a man from the FBI shows up, asking questions about her dad -- and about his connection to the corpse of a man found with an object stuffed into his chest: a priceless book that belonged to Benedict Arnold. Back at her house, Hazel finds guns that she doesn't remember owning. On her forehead, she sees scars from fights she can't recall. Most important, the more Hazel digs, the less she likes the person she seems to have been. Trying to put together the puzzle pieces of her past and present, Hazel Nash needs to figure out who killed this man -- and how the book wound up in his chest. The answer will tell her the truth about her father, what he was really doing for the government -- and who Hazel really is. Mysteries need to be solved. Especially the ones about yourself."

A Pedagogy of Cinema is the first book to apply Deleuze’s concept of cinema to the pedagogic context. Cinema is opened up by this action from the straightforward educative analysis of film, to the systematic unfolding of image. A Pedagogy of Cinema explores what it means to engender cinema-thinking from image. This book does not overlay images from films with an educational approach to them, but looks to the images themselves to produce philosophy. This approach to utilising image in education is wholly new, and has the potential to transform classroom practice with respect to teaching and learning about cinema. The authors have carefully chosen specific examples of images to illustrate such transformational processes, and have fitted them into in depth analysis that is derived from the images. The result is a combination of image and text that advances the field of cinema study for and in education with a philosophical intent. “This outstanding new book asks a vital question for our time. How can we educate effectively in a digitalized, corporatized, Orwellian-surveillance-controlled, globalized world This question is equally a challenge asked of our ability to think outside of the limiting parameters of the control society, and the forces which daily propel us ever-quicker towards worldwide homogenization. With great lucidity, Cole and Bradley offer us profound hope in Gilles Deleuze’s increasingly popular notion of ‘cine-thinking’. They explore and explain the potential that this sophisticated idea holds for learning, in an easy going and accessible way, and with a range of fantastic films: from ‘Suspiria’ and ‘Performance’ through to ‘Under the Skin’ and ‘Snowpiercer’. This extremely engaging and compelling text is likely to enliven scholars and students everywhere.” – David Martin-Jones, Film and Television Studies, University of Glasgow, UK