When Gandhi as a young lawyer in South Africa began fashioning the tenets of his political philosophy, he was absorbed by a seemingly unrelated enterprise: creating a newspaper, Indian Opinion. In Gandhi’s Printing Press Isabel Hofmeyr provides an account of how this footnote to a career shaped the man who would become the world-changing Mahatma.

This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life. Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

A century ago, activists confronting racism and colonialism—in India, South Africa, and Black America—used print media to connect with one another. Then, as now, the most effective medium for their undertakings was the English language. Imperfect Solidarities: Tagore, Gandhi, Du Bois, and the Global Anglophone tells the story of this interconnected Anglophone world. Through Rabindranath Tagore’s writings on China, Mahatma Gandhi’s recollections of South Africa, and W. E. B. Du Bois’s invocations of India, Madhumita Lahiri theorizes print internationalism. This methodology requires new terms within the worldwide hegemony of the English language (“the global Anglophone”) in order to encourage alternate geographies (such as the Global South) and new collectivities (such as people of color). The women of print internationalism feature prominently in this account. Sonja Schlesin, born in Moscow, worked with Indians in South Africa. Sister Nivedita, an Irish woman in India, collaborated with a Japanese historian. Jessie Redmon Fauset, an African American, brought the world home to young readers through her work as an author and editor. Reading across races and regions, genres and genders, Imperfect Solidarities demonstrates the utility of the neologism for postcolonial literary studies.

In Dockside Reading Isabel Hofmeyr traces the relationships among print culture, colonialism, and the ocean through the institution of the British colonial Custom House. During the late nineteenth and early twentieth centuries, dockside customs officials would leaf through publications looking for obscenity, politically objectionable materials, or reprints of British copyrighted works, often dumping these condemned goods into the water. These practices, echoing other colonial imaginaries of the ocean as a space for erasing incriminating evidence of the violence of empire, informed later censorship regimes under apartheid in South Africa. By tracking printed matter from ship to shore, Hofmeyr shows how literary institutions like copyright and censorship were shaped by colonial control of coastal waters. Set in the environmental context of the colonial port city, Dockside Reading explores how imperialism colonizes water. Hofmeyr examines this theme through the concept of hydrocolonialism, which puts together land and sea, empire and environment.

“This is an epic work which gives us another deep insight not just into the South African Gandhi but also into his colleagues at the settlement and an ongoing biography of the settlement itself. This is the first book telling the history of Phoenix Settlement from its founding to now. It provides us with a view into the lives of the residents and supporters, rather than merely a history of the buildings. This is a goldmine for researchers. It very skilfully presents the role of the settlement in the campaigns against apartheid in the early 1950s and the international recognition of its actions and the stimulus they provided for international campaigns. The story of the settlement as a haven for multi-racial gatherings in the time of apartheid, and, regardless of this, the disaster that followed is wonderfully told.” - Thomas Weber, Emeritus Professor La Trobe University, Melbourne “Another magisterial book from Dhupelia-Mesthrie, this time on Phoenix, told through deeply researched contextual chapters and the letters of those who lived there. Informed by a lifetime’s work on Gandhi and drawing on archives and personal papers from across the world, this monumental work will be treasured by grateful scholars and readers for decades to come.” - Isabel Hofmeyr, Emeritus Professor University of the Witwatersrand “The book provides a major, new, in-depth understanding of a major initiative in Gandhi’s life, an initiative which laid the ground for his work in South Africa and in India, and whose resonances are still being felt in the world.” - Ramachandra Guha Eminent biographer of Gandhi --- Uma Dhupelia-Mesthrie is an Emeritus Professor, Department of History, University of the Western Cape.