The Galisteo Basin and the Cerrillos Hills, an ancient seabed ringed by ancient volcanic upheavals, are located in Central New Mexico. The region has been occupied for thousands of years. The oldest known turquoise mines in North America, as well as the earliest significant gold strike in North America, can be found in this region. The town of Galisteo was founded in 1617, while Los Cerrillos got its start as a railroad stop and regional center in 1880. Archaeological work on eight major Pueblo ruins was initiated in 1912 by Nels Nelson of the American Museum of Natural History. Many photographs from his expedition are found in this book, with several of them never having been published before. Also included are images of Cerrillos Hills mining in 1880; again, some of these photographs have never been previously published.

San Marcos, one of the largest late prehistoric Pueblo settlements along the Rio Grande, was a significant social, political, and economic hub both before Spanish colonization and through the Pueblo Revolt of 1680. This volume provides the definitive record of a decade of archaeological investigations at San Marcos, ancestral home to Kewa (formerly Santo Domingo) and Cochiti descendants. The contributors address archaeological and historical background, artifact analysis, and population history. They explore possible changes in Pueblo social organization, examine population changes during the occupation, and delineate aspects of Pueblo/Spanish interaction that occur with Spaniards’ intrusion into the colony and especially the Galisteo Basin. Highlights include historical context, in-depth consideration of archaeological field and laboratory methods, compositional and stylistic analyses of the famed glaze-paint ceramics, analysis of flaked stone that includes obsidian hydration dating, and discussion of the beginnings of colonial metallurgy and protohistoric Pueblo population change.

A unique contribution to the archaeological literature on the Southwest, Seventeenth-Century Metallurgy on the Spanish Colonial Frontier introduces a wealth of data from one of the few known colonial metal production sites in the Southwest. Archaeologist Noah H. Thomas draws on and summarizes ten seasons of excavation from the Pueblo of Paa-ko to provide a critical analysis of archaeological features and materials related to metal production during the early colonial period (AD 1598–1680). Extrapolating from the data, Thomas provides a theoretical interpretation of these data that is grounded in theories of agency, practice, and notions of value shaped in culture. In addition to the critical analysis of archaeological features and materials, this work brings to light a little-known aspect of the colonial experience: the production of metal by indigenous Pueblo people. Using the ethnography of Pueblo peoples and seventh-century European manuals of metallurgy, Thomas addresses how the situated agency of indigenous practitioners incorporated within colonial industries shaped the metallurgy industry in the Spanish colonial period. The resulting analysis investigates how economic, technical, and social knowledge was communicated, contested, and transformed across the social and cultural boundaries present in early colonial communities. Viewing these transformations through an ethnohistorical lens, Thomas builds a social and historical context within which to understand the decisions made by colonial actors at the time.

Award-winning author, curator, and activist Lucy R. Lippard is one of America’s most influential writers on contemporary art, a pioneer in the fields of cultural geography, conceptualism, and feminist art. Hailed for "the breadth of her reading and the comprehensiveness with which she considers the things that define place" (The New York Times), Lippard now turns her keen eye to the politics of land use and art in an evolving New West. Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the "subterranean economy." Featuring more than two hundred gorgeous color images, Undermining is a must-read for anyone eager to explore a new way of understanding the relationship between art and place in a rapidly shifting society.

The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.

This morning I am contemplating how we humans, awkwardly tangled in dreams of salvation, struggle to lend meaning to a physical world that is most often brutally indifferent. It may be that the one thing of substantial power left to us is our own imagination. Thus begins the story of a road trip up the West Coast of North America; a journey which comes to a dramatic conclusion months later in Mexico. A unique look at the nature of prayer, the power of dreams, and the risks and rewards we all face imagining ourselves into the world, 'about art' is the memoir of one artist's quest to understand the life he has lived.