Galileo Galilei Galileo Galilei began his career as a mathematician. Yet as fate would have it, he became far more than a numbers whiz. Here was a true Renaissance man; one who was greatly educated and a genuine lover of the arts. He was a fan of poets and a fine lute player.When in 1609 Galileo created his first telescope and turned his attention to the skies, everything changed. His discoveries as they came, could not be denied. Because of his years of study in the arts and humanities, Galileo was well prepared to bring his ideas into the light of day. Inside you will read about... ✓ Living in the Italian Renaissance ✓ Student Becomes Master ✓ Opposition to the Church ✓ Controversial Theories ✓ The Trial of Galileo Galilei ✓ The End of All Things And much more!Discoveries often don't come easy and introducing them to a doubting world is even more challenging. It takes a certain kind of person to do that and Galileo was just the man for the job. It was his brilliance that supported the Copernican system of how the solar system was laid out. It was his original thinking which kept him fearless in the face of the greatest adversary there was--the Church. Come along to discover what made Galileo so great. And why his achievements can influence your life, too.

Like Michelangelo, Galileo is another Renaissance great known just by his first name--a name that is synonymous with scientific achievement. Born in Pisa, Italy, in the sixteenth century, Galileo contributed to the era's great rebirth of knowledge. He invented a telescope to observe the heavens. From there, not even the sky was the limit! He turned long-held notions about the universe topsy turvy with his support of a sun-centric solar system. Patricia Brennan Demuth offers a sympathetic portrait of a brilliant man who lived in a time when speaking scientific truth to those in power was still a dangerous proposition.

This Student Edition of Brecht's classic dramatisation of the conflict between free enquiry and official ideology features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country. As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals. Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo was first staged in English in 1947 by Joseph Losey in a version jointly prepared by Brecht and Charles Laughton, who played the title role. Printed here is the complete translation by John Willett.

Galileo’s Dialogue Concerning the Two Chief World Systems, published in Florence in 1632, was the most proximate cause of his being brought to trial before the Inquisition. Using the dialogue form, a genre common in classical philosophical works, Galileo masterfully demonstrates the truth of the Copernican system over the Ptolemaic one, proving, for the first time, that the earth revolves around the sun. Its influence is incalculable. The Dialogue is not only one of the most important scientific treatises ever written, but a work of supreme clarity and accessibility, remaining as readable now as when it was first published. This edition uses the definitive text established by the University of California Press, in Stillman Drake’s translation, and includes a Foreword by Albert Einstein and a new Introduction by J. L. Heilbron.

Describes the life and work of the courageous man who changed the way people saw the galaxy, by offering objective evidence that the earth was not the fixed center of the universe

“Demonstrates an awesome command of the vast Galileo literature . . . [Wootton] excels in boldly speculating about Galileo’s motives” (The New York Times Book Review). Tackling Galileo as astronomer, engineer, and author, David Wootton places him at the center of Renaissance culture. He traces Galileo through his early rebellious years; the beginnings of his scientific career constructing a “new physics”; his move to Florence seeking money, status, and greater freedom to attack intellectual orthodoxies; his trial for heresy and narrow escape from torture; and his house arrest and physical (though not intellectual) decline. Wootton also reveals much that is new—from Galileo’s premature Copernicanism to a previously unrecognized illegitimate daughter—and, controversially, rejects the long-established belief that Galileo was a good Catholic. Absolutely central to Galileo’s significance—and to science more broadly—is the telescope, the potential of which Galileo was the first to grasp. Wootton makes clear that it totally revolutionized and galvanized scientific endeavor to discover new and previously unimagined facts. Drawing extensively on Galileo’s voluminous letters, many of which were self-censored and sly, this is an original, arresting, and highly readable biography of a difficult, remarkable Renaissance genius. Selected as a Choice Outstanding Academic Title in the Astronautics and Astronomy Category “Fascinating reading . . . With this highly adventurous portrayal of Galileo’s inner world, Wootton assures himself a high rank among the most radical recent Galileo interpreters . . . Undoubtedly Wootton makes an important contribution to Galileo scholarship.” —America magazine “Wootton’s biography . . . is engagingly written and offers fresh insights into Galileo’s intellectual development.” —Standpoint magazine