From one of the leading literary critics of his generation comes the first of Edmund Wilson's three novels, I thought of Daisy, published together with his short story "Galahad." Set in Greenwich Village in the 1920s, Edmund Wilson’s I Thought of Daisy tells the coming of age story of a young man living a bohemian life, and of his heartfelt relationship with a chorus girl he meets at a party. Fictional sketches drawn from real-life literary figures are scattered throughout, including John Dos Passos and Wilson's lover, Edna St. Vincent Millay. Also included in this volume is Wilson's short story "Galahad," about the sexual awakening of a young boy at prep school. "What needs to be [said] is how good, if ungainly, Daisy is, how charmingly and intelligently she tells of the speakeasy days of a Greenwich Village as red and cozy as a valentine, of lamplit islands where love and ambition and drunkenness bloomed all at once. The fiction writer in Wilson was real, and his displacement is a real loss." - John Updike

Edmund Wilson's The Fifties, edited by Leon Edel, is the highly acclaimed fourth volume in the series that began with The Twenties. It is complimented with photographs and journal excerpts of some of the most interesting characters of the decade, including Edna St. Vincent Millay, W.H. Auden, and Vladimir Nabokov. "A giant's workroom we can wander through, marveling ..." - Richard Locke, The Wall Street Journal on The Fifties: From Notebooks and Diaries of the Period

From one of the greatest literary critics of the twentieth century, this installment of Edmund Wilson’s private notebooks covers the years of the 1940s, providing a rich lens into the writer’s life and the world at large. Wilson turned forty-five in 1940, and this volume The Forties: From Notebooks & Diaries of the Period shows the extent to which he was reappraising his life in the decade to follow - saying goodbye to the drifting of the 1920s and the Marxism of the 1930s. Published posthumously and edited by Leon Edel, The Forties includes observations on his increasingly complicated family matters and covers appreciatively writers like Andre Malraux, W. H. Auden, and Max Beerbohm, as well as entries from his research and travels. "We can see the beginnings of the masterly work of Wilson's later years, the studies of the American literary and mythic past on which his reputation will surely rest." Jonathan Yardley, The Washington Post on The Forties

Edmund Wilson's last collection of criticism, The Devils & Canon Barham, contains ten essays on Poets, Novelists, and Monsters Previously published in the New Yorker and the New York Review of Books, Wilson's writing featured in this volume sees the critic returning to his roots and youth, with essays on his childhood love for The Ingoldsby Legends, the works of Hemingway, Eliot's The Waste Land, and ends with a piece on The Monsters of Bomarzo and by taking the Modern Language Association (MLA) to task.

A Window on Russia is a collection of Edmund Wilson's papers on Russian writers and the Russian language (which he taught himself to read), written between 1943 and 1971. Writers discussed include Pushkin, Gogol, Chekov, Turgenev, Tolstoy, among others. "In A Window on Russia, which Wilson modestly calls 'a handful of disconnected pieces, written at various times when I happened to be interested in the various authors,' we encounter that rare pleasure of entering a living world where the dead hand of academia never casts its shadow." - Kirkus Reviews