If the biosphere really is a single coherent system, then it must have something like a physiology. It must have systems and processes that perform living functions. In Gaia's Body, Tyler Volk describes the environment that enables the biosphere to exist, various ways of looking at its "anatomy" and "physiology", the major biogeographical regions such as rainforests, deserts, and tundra, the major substances the biosphere is made of, and the chemical cycles that keep it in balance. He then looks at the question of whether there are any long-term trends in the earth's evolution, and examines the role of humanity in Gaia's past and future. Both adherents and sceptics have often been concerned that Gaia theory contains too much goddess and too few verifiable hypotheses. This is the book that describes, for scientists, students, and lay readers alike, the theory's firm basis in science.

Often dubbed the "crystals bible," this comprehensive reference guide to the spiritual and healing qualities of 455 sacred stones has become the go-to book for looking up the properties of gems and minerals. Each entry includes vivid color photographs for each stone to aid identification and to showcase its beauty, as well as listing its scientific information, its element and chakra correspondences, and the physical, emotional, and spiritual benefits of each stone. Illustrated by gorgeously lit, clear color photos to aid quick identification, the book offers an illuminating alphabetical journey through the mineral kingdom, stone by stone. This new edition of The Book of Stones, the best-selling guide to some of Earth's most beautiful natural objects, is revised to include 76 new entries. The book begins with two introductory chapters detailing advice by authors Naisha Ahsian and Robert Simmons on how to work with crystals and stones--including the concept of crystal resonance and the scientific observation that living organisms (such as ourselves) are liquid crystalline structures. Each entry begins with the stone name and photo, plus its elemental and chakra correspondences, as well as keywords that indicate its properties. Next comes a description of the crystal structure, hardness, history, and known locations of each mineral, plus any relevant legend or lore from the past. Each author then offers their own take and personal insights on the subtle energy properties and spiritual applications of the stone. The entries conclude with summaries of the spiritual, emotional, and physical healing qualities of the stone, and an affirmation for evoking its potential benefits. The book's presentation is straightforward enough to make it an excellent introduction for beginners, yet the level of detail and the depth of research make it an invaluable resource for the most experienced stone practitioners.

You know that wonderful feeling of being naked in nature? This groundbreaking book will show you how to commune with nature, perceive her spirits, honour your body, and more! Naked in the Woods is a complete handbook that gives you sensory exercises, sensual journeys, and many other tools to bring your naked experiences to the next wonderful level. If you love being naked in nature at the beach, on the lawn or in a forest, you will love this book!

The Guardiansbeings with immense and diverse powers over earthly elements such as wind, fire and lightning, and abilities of the mind. For over a millennia, the Guardians sole purpose has been to protect the world from disasters and those who would cause strife, prevailing in many wars and succeeding in peace. When a wayward Guardian Mez, angry at the world and his family, returns home, he decides to take vengeance on those who sought to protect him and evict the Guardians from their homes and the land of Amara Belle. As dim and dreary as the situation would seem, three young Guardians, Dynasty, Blaze, and Lynxus; all return to the mighty palace to rid their home of the intruder. As the battle between the homeless Guardians and the rage-driven Mez continues, loyalties will become tested and cities fall from the might of their powers. And as the final dawn approaches, the true aftermath and devastation becomes very evident.

With over fifty patents to his name and innumerable awards and accolades, James Lovelock was a distinguished and original thinker, widely recognized by the international scientific community. In this inspiring book, republished in the year of his 100th birthday, Lovelock tells his life story, from his first steps as a scientist to his work with organisations as diverse as NASA, Shell and the Marine Biological Association. Homage to Gaia describes the years of travel and work that led to his crucial scientific breakthroughs in environmental awareness, uncovering how CFCs impact on the ozone layer and creating the concept of Gaia, the theory that the Earth is a self-regulating system. Written in a sharp and energetic style, James Lovelock's book will entertain and inspire anyone interested in science or the creative spirit beyond his legacy.

Not all charms fly at the touch of cold philosophy. Vital Reenchantments examines so-called cold philosophy, or science, that does precisely the opposite - rather than mercilessly emptying out and unweaving, it operates as a philosophy that animates. More specifically, Greyson closely examines how a specific group of "poet-in-scientists" of the late 1970s and 1980s directed attention to the "wondrous" unfolding of life, at a time when the counter-culture in particular had made the institution of science synonymous with technologies of alienation and destruction. In this vein, Vital Reenchantments takes up E.O. Wilson's Biophilia (1984), James Lovelock's Gaia (1979), and Carl Sagan's Cosmos (1980), in order to show how each work fleshes out scientific concepts with a unique attention to "affective wonder," understood as the experience of and attunement to novel effects. What is so unique about these works is that they reenchant the scientific world without pandering to what Richard Dawkins will later term "cosmic sentimentality." Carl Sagan may have said "We are made of starstuff," but he would never insist, as Joni Mitchell did in 1969, that "we've got to get ourselves back to the garden." Instead, they insist on a third way that does not rely on the idea of an ecological Eden - a vigorously vital materialism in which the affective trumps the sentimental. Further, the historical emergence of these works, all published within 5 years of each other, was no accident: each book responded to an ever deepening sense of environmental crisis, certainly, but along with it they responded to, perhaps more than marginally related, narratives of the large-scale disenchantment brought on by modernity or science, and more often than not a mixture of the two. Greyson argues that the persistence of these works and their affectively-charged scientific concepts in contemporary popular culture and ecological thought is no accident. As such, these works deserve recognition as far more than "popular science" and can be seen as essential contributions to more contemporary vital materialist thought and ecological theory. No doubt this talk of enchantment and wonder, so tied to immediate experience, can seem trivial in the face of any number of environmental crises (global warming first among these) that do not just appear ominously on the horizon, but loom as never before. The first task of this book thus to pose the same question that Jane Bennett does at the end of her own work on enchantment: "How can someone write a book about enchantment in such a world?" Does this approach really provide, as Latour phrases it, "a way to bridge the distance between the scale of the phenomena we hear about and the tiny Umwelt inside which we witness, as if it were a fish inside its bowl, an ocean of catastrophes that are supposed to unfold"? Ultimately, Vital Reenchantments argues that affective ecologies, properly attended to, point toward an open present, one that broadens the horizons of the "fish bowl" and allows us to imagine engendering futures that are neither naively hopeful nor hopelessly apocalyptic.

Gaia, in which James Lovelock puts forward his inspirational and controversial idea that the Earth functions as a single organism, with life influencing planetary processes to form a self-regulating system aiding its own survival, is now a classic work that continues to provoke heated scientific debate.