Sure to incite a quiver of laughter or a shiver, this macabre collection of the best and most hilarious examples of Wilson's jaundiced humor includes his wry, illustrated essays on such topics as childhood fears and human tourists in space.

Remember how baffling, terrifying, and sad childhood really was? Now you can laugh at it. In this thematically and narratively linked series of one-page stories originally published in the National Lampoon’s “Funny Pages” section throughout the 1970s, the master of the macabre eschewed his usual ghouls, vampires, and end-of-the-world scenarios for a wry, pointed look at growing up normal in the real, yet endlessly weird world. This is essentially a lost Gahan Wilson graphic novel from the 1970s and '80s. Watch as our stoic, hunting-cap-wearing protagonist (known only as “The Kid”) copes with illness, disappointment, strange old relatives, the disappointment of Christmas, life-threatening escapades, death, school, the awfulness of camp, and much more ― all delineated in Wilson’s roly-poly, sensual, delicately hatched line.

Gahan Wilson looks at humanity from a uniquely funny perspective and often sees the horror that underlies daily life--and the humor beneath that horror. Still Weird is the first major retrospective collection, including 100 new cartoons, by one of America's strangest and most popular cartoonists.

Got a craving for cranial matter? Need to dip your chip in the saliva of a witch? Caught between a skull and a hard place? Have we got a cartoonist for you! Humorously demented cartoons by Gahan Wilson have been delighting the readers of The New Yorker, Playboy and National Lampoon for decades. Now, for a mere pittance, you can enjoy the best musings from this mad monster of the wild and the weird in the privacy of your own cave, hovel or castle. Cannibals around the world have celebrated the clever cartoons of Gahan Wilson. Now it's your turn!

Gahan Wilson is probably best known for his macabre Playboy cartoons, filled with charming monsters, goofy mad scientists, and melting victims, and his cutting-edge work in the National Lampoon, but he’s also one of the most versatile cartoonists alive whose work has appeared in a wide range of media venues. Gahan Wilson Sunday Comics is Wilson’s assault from within: His little-known syndicated strip that appeared in America’s newspapers between 1974 an 1976. Readers must have been startled to find Wilson’s freaks, geeks, and weirdos nestled among family, funny-animal, and soap opera offerings. (The term “zombie strip” ― a strip that has long outlived its original creator ― takes on a whole new meaning in Wilson’s hands.) While each strip, at first glance, appears to be a standard, color Sunday strip (albeit without panel borders), each Sunday Comic is a collection of one-panel gag cartoons, delineated in Wilson’s brilliantly controlled wiggly-but-sophisticated pen line. The last gag cartoon on each Sunday is part of a recurring series, either “Future Funnies” or “The Creep.” Some Sundays are a freewheeling mélange of board meetings, monsters, and cavemen (with cameos by Wilson’s Kid character from Nuts, his gimlet-eyed view of childhood, collected last year by Fantagraphics), while others riff on a topic or subject (clocks, plants, wallpaper, etc.). As is his wont, Wilson mines the blackest of black comedy in the banal horror of human nature.

Gahan Wilson is among the most popular, widely-read and beloved cartoonists in the history of the medium, whose career spans the second half of the 20th century. His work has been seen by hundreds of millions of people in the pages of Playboy, The New Yorker, Punch, The National Lampoon and many other magazines. He is revered for his playfully sinister take on childhood, adulthood, men, women - and monsters. This three-volume set contains every cartoon Wilson ever drew for Playboy, along with all his prose fiction and text-and-art features.

For more than twenty-five years, Gahan Wilson's unique perspective on the world has been making people laugh. His cartoons have been found in the pages of National Lampoon, Playboy, and The New Yorker. Still Weird, Wilson's first major collection, includes selections from the whole body of his work, plus 100 brand-new cartoons and 100 more that have never before been published in book form. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.