In an introduction to the catalogue of his first art exhibition in 1956, when a mere seventeen, he brashly declared his "right to be incoherent." He still lives and labors by this youthful credo, believing that today "to be" means to live in "infinite and often contradictory ways."".

"Turning away from the hard angles and edges of conventional modernism, bliobjects are the design of now, and the future. Blobjects & Beyond is the first survey of the explosion of amorphic, organic, and curvaceous design. A formless from with roots in Surrealism and the kidney-shaped motifs of the 1950s, the ever more biological blobject has come into its own, embodying and reflecting the new international ethos of fluidity." "Authors Steven Skov Holt and Mara Holt Skov - curators of a major exhibition of blobjects at the San Jose Museum of Art - and contributors Phil Patton and Bruce Sterling, parse the various manifestations of the blobject, bringing together the realms of art, architecture, industrial design, graphics, digital design, furniture, and pop culture. As a counterpoint to the effusive popularity of the blobject, the authors also address more recent, post-9/11 forms that are mutated and disturbed, dangerous and intimidating - the dark side of the blobject." "A manifesto for fluidity across disciplines, cultures, and international boundaries, Blobjects & Beyond documents the first major design language to bridge the last millennium with the new one."--BOOK JACKET.

This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists.

This essential survey of Italian Radical design, a movement that interrogated modern living against the turbulent political climate of the 1960s, is lavishly illustrated with new photography, including rarely seen prototypes and limited-production pieces.

Based on the authors' first-hand experience of major change programmes, on studies of offices around the world, and on design management research at De Montfort University, Leicester, this book explains the underlying principles of office design and its effects on cultural change and performance.