How do you feel about embracing Ireland's native tongue? At odds after a tricky relationship at school? Maybe you've given up, or don't know where to start? Well, is fada an bóthar nach mbíonn casadh ann - long is the road that has no turn and, in this book, the road is about to turn. Molly Nic Céile - creator of social media sensation for Irish-language learners and lovers Gaeilge i Mo Chroí - invites us to connect with Irish in our hearts, as we set out on a journey of renewed pride sa Ghaeilge. Using seanfhocail agus scéalta, proverbs and stories, and with plenty of craic along the way - including the hilarious 'if Irish were English' approach to better understanding sentence structure - the book offers guidance on bringing Irish into our everyday lives, supported by useful word and phrase glossaries throughout. Connect with an Ghaeilge you didn't know you knew, embrace na botúin - the mistakes - and discover the richness that our beautiful language - ár dteanga álainn - has to offer.

#1 New York Times bestselling author Nora Roberts begins a new trilogy of adventure, romance, and magick in The Awakening. In the realm of Talamh, a teenage warrior named Keegan emerges from a lake holding a sword—representing both power and the terrifying responsibility to protect the Fey. In another realm known as Philadelphia, a young woman has just discovered she possesses a treasure of her own... When Breen Kelly was a girl, her father would tell her stories of magical places. Now she’s an anxious twentysomething mired in student debt and working a job she hates. But one day she stumbles upon a shocking discovery: her mother has been hiding an investment account in her name. It has been funded by her long-lost father—and it’s worth nearly four million dollars. This newfound fortune would be life-changing for anyone. But little does Breen know that when she uses some of the money to journey to Ireland, it will unlock mysteries she couldn’t have imagined. Here, she will begin to understand why she kept seeing that silver-haired, elusive man, why she imagined his voice in her head saying Come home, Breen Siobhan. It’s time you came home. Why she dreamed of dragons. And where her true destiny lies—through a portal in Galway that takes her to a land of faeries and mermaids, to a man named Keegan, and to the courage in her own heart that will guide her through a powerful, dangerous destiny...

The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.

Learn how to honour the Celtic language of Ireland in your tattoo or craft design - and avoid embarrassing mistakes - with a glossary of over 400 authentic Irish-language words, phrases, and sayings. The book also includes illustrations of real-life tattoo mistakes, a history of the Irish language, and advice on spelling, fonts, symbols, and more.

"What if I said you could go back? Ophelia, you could change... everything." She left behind the modern world she knew to save the man she loves. Now in the trenches of the Great War, Ophelia must find a way to reach her lover of several lifetimes. Her existence is limited, making her journey all the more complicated, for she is in the Afterworld - the place between this life and the next. New memories of a wilder, untamed past life will either be a welcome reprieve from the pain of war or a deadly distraction. Trapped in the past, will she be able to change her future? Priestess continues the journey begun in the first book of the Afterworld series, Ophelia.

Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950–2010. Initially establishing geographical and chronological parameters, the book cites Birmingham’s location at the hub of a road and communications network as key to the development of Irish music across a series of increasingly visible, public sites: Birmingham’s branch of Comhaltas Ceoltóirí Éireann was established in the domestic space of an amateur musician; Birmingham’s folk clubs encouraged a blend of Irish music with socialist politics, from which the Dublin singer Luke Kelly honed his trade; Irish solidarity was fostered in Birmingham’s churches. Each of these examples begins with a performance at Birmingham Town Hall in order to show how a single venue also provides musical representations that are mutable over time. The culmination is Birmingham’s St Patrick’s Parade. This, the largest Irish procession outside Dublin and New York, manifests an incoherent blend of sounds. The audio montage, nevertheless, creates a coherent metanarrative: one in which the local community has conquered a number of challenges (most especially that of the IRA bombings of the area) and has moved Irish music from private arenas to the centre of this large civic event.

The dog in The Wizard of Oz was paid twice as much as some of the actors. Citizen Kane was booed at the Oscars every time one of its nominations were announced. Marlon Brando didn't read the script when he was shooting Apocalypse Now. Instead, he turned it into a hat. Sean Connery turned down the part of Gandalf in Lord of the Rings. He would've been paid $560 million. Goldfinger is the first film to show a laser. Although Hattie McDaniel won an Oscar for Gone with the Wind, she wasn't allowed to go to the premier because she was black. Steven Spielberg thought the themesong for Jaws was so bad, he thought the composer made it as a joke. Groundhog Day takes place over 27 years. All of the Ping-Pong balls in Forrest Gump are computer-generated. In Toy Story, the carpets in Sid's house have the same design as the carpets in The Shining. It took eight years for Christopher Nolan to write Inception. Back to the Future is banned in China because they Chinese find time-travel disrespectful to history.