Gabriel Goes to Washington is a fictional children's book about Gabriel, a miniature poodle, who visits Washington, DC. The information about the sights Gabriel sees are factual. It's a warm depiction of our beautiful city, in preparation for sight-seeing and experiencing the Nation's Capital, made simple for young eyes.

When what you want the most could mean the death of you... Gabriel Loveman is a born genius who must choose between the opportunity of a lifetime, his responsibility to his family and his devotion to the woman he loves. One path will lead to a bright future and a broken heart. The other path will lead to love and a broken spirit. As he struggles over the tortuous decision, Gabriel finds himself in the throes of a threat against his life. In a world where being black can be a death sentence, finding a way to stay alive as he determines his fate will take much more than courage and determination. Gabriel will need a miracle. Taking place in an era when the remnants of slavery rule the day, Gabriel's Balloon reveals the depth of the agonizing dilemma of a boy wonder entering into manhood and yearning for a future beyond the drudgery of the Deep South. A coming of age that unfolds on a plantation plagued with the horrors of racism and family secrets that, if ever revealed, may make the difference between life and death, this novel is a reminder of the timeliness of love and hate. Gabriel's plight will break open the hearts of readers who will find themselves hoping that he decides to chase after his dreams, as page by page, they come to understand why he has the very best of reasons to let them go. Indeed, inside Gabriel's Balloon, hope floats but only when there is enough air. Hope Michelle Ayers currently lives in Atlanta, Georgia and Washington, D.C., where she works as an attorney and advisor for the U.S. Department of Homeland Security/FEMA. In addition to her first novel, Gabriel's Balloon, she has authored two collections of poetry, Love Defined and Acquaintances, along with a series of children's books entitled The Chelsea Tales. A graduate of Alabama State University (Bachelor of Arts) and the University of Alabama (Juris Doctorate), she is the CEO of Hope & Air, Inc., a lifelong supporter of the Boys and Girls Clubs of America and an active member of Delta Sigma Theta Sorority, Inc., ASU National Alumni Association and the Alabama State Bar Association.

Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.

Introduction : angelic greetings or Shalom Aleichem -- At home with the angels : Babylonian ritual sources -- Out and about with the angels : Palestinian ritual sources -- No angels? early rabbinic sources -- In the image of God, not angels : rabbinic sources -- In the image of the angels : liturgical sources -- Israel among the angels : Late rabbinic sources -- Jewish mystics and the angelic realms : early mystical sources -- Conclusion : angels in Judaism and the religions of late antiquity -- Appendix A : table -- Appendix B : description of table.

The Coretta Scott King Honor-winning author tells the moving story of the friendship between a young white boy and a Black WWII veteran who has recently returned to the unwelcoming Jim Crow South. For Gabriel Haberlin, life seems pretty close to perfect in the small southern town of Birdsong, USA. But on his twelfth birthday, his point of view begins to change. It all starts when he comes face-to-face with one of the worst drivers in town while riding his new bicycle--an accident that would have been tragic if Mr. Meriwether Hunter hadn't been around to push him out of harm's way. After the accident, Gabriel and Meriwether become friends when they both start working at Gabriel's dad's auto shop, and Meriwether lets a secret slip: He served in the army's all-black 761st Tank Battalion in World War II. Soon Gabriel learns why it's so dangerous for Meriwether to talk about his heroism in front of white people, and Gabriel's eyes are finally opened to the hard truth about Birdsong--and his understanding of what it means to be a hero will never be the same.

Four bullet-torn bodies in a drug-ridden South Bronx alley. A college boy shot in the head on the West Side Highway. A wild shootout on the streets of Washington Heights, home of New York City's immigrant Dominican community and hub of the eastern seaboard's drug trade. All seemingly separate acts of violence. But investigators discover a pattern to the mayhem, with links to scores of assaults and murders throughout the city. In this bloody urban saga, Robert Jackall recounts how street cops, detectives, and prosecutors pieced together a puzzle-like story of narcotics trafficking, money laundering, and murders for hire, all centered on a vicious gang of Dominican youths known as the Wild Cowboys. These boyhood friends, operators of a lucrative crack business in the Bronx, routinely pistol-whipped their workers, murdered rivals, shot or slashed witnesses to their crimes, and eventually turned on one another in a deadly civil war. Jackall chronicles the crime-scene investigations, frantic car chases, street arrests at gunpoint, interviews with informants, and knuckle-breaking plea bargaining that culminated in prison terms for more than forty gang members. But he also tells a cautionary tale--one of a society with irreconcilable differences, fraught with self-doubt and moral ambivalence, where the institutional logics of law and bureaucracy often have perverse outcomes. A society where the forces of order battle not just violent criminals but elites seemingly aligned with forces of disorder: community activists who grab any pretext to further narrow causes; intellectuals who romanticize criminals; judges who refuse to lock up dangerous men; federal prosecutors who relish nailing cops more than crooks; and politicians who pander to the worst of our society behind rhetorics of social justice and moral probity. In such an up-for-grabs world, whose order will prevail?

Hollywood in Crisis is a detailed study of the workings of the American film industry during the 1930s. Colin Schindler, looking at Hollywood as an agent of Roosevelt's New Deal and the attempts made by film moguls and movie makers to withstand the political turmoil that threatened to engulf America. Schindler illustrates how the studios and their products, from the glamour of MGM stars and escapist musicals to gangster movies and Westerns, even to the 'radical' films of the Warner studios, helped foster ideas of social unity and patriotism.