Winner of the 2023 Pulitzer Prize in Biography Winner of the 2022 National Book Critics Circle Award in Biography, the 2023 Bancroft Prize in American History and Diplomacy, and the 43rd LA Times Book Prize in Biography | Finalist for the 2023 PEN/Jacqueline Bograd Weld Award for Biography Named a Best Book of 2022 by The Atlantic, The Washington Post and Smithsonian Magazine and a New York Times Top 100 Notable Books of 2022 “Masterful…This book is an enduring, formidable accomplishment, a monument to the power of biography [that] now becomes the definitive work”—The Washington Post “A nuanced portrait in a league with the best of Ron Chernow and David McCullough.”—The Wall Street Journal A major new biography of J Edgar Hoover that draws from never-before-seen sources to create a groundbreaking portrait of a colossus who dominated half a century of American history and planted the seeds for much of today's conservative political landscape. We remember him as a bulldog--squat frame, bulging wide-set eyes, fearsome jowls--but in 1924, when he became director of the FBI, he had been the trim, dazzling wunderkind of the administrative state, buzzing with energy and big ideas for reform. He transformed a failing law-enforcement backwater, riddled with scandal, into a modern machine. He believed in the power of the federal government to do great things for the nation and its citizens. He also believed that certain people--many of them communists or racial minorities or both-- did not deserve to be included in that American project. Hoover rose to power and then stayed there, decade after decade, using the tools of state to create a personal fiefdom unrivaled in U.S. history. Beverly Gage’s monumental work explores the full sweep of Hoover’s life and career, from his birth in 1895 to a modest Washington civil-service family through his death in 1972. In her nuanced and definitive portrait, Gage shows how Hoover was more than a one-dimensional tyrant and schemer who strong-armed the rest of the country into submission. As FBI director from 1924 through his death in 1972, he was a confidant, counselor, and adversary to eight U.S. presidents, four Republicans and four Democrats. Franklin Roosevelt and Lyndon Johnson did the most to empower him, yet his closest friend among the eight was fellow anticommunist warrior Richard Nixon. Hoover was not above blackmail and intimidation, but he also embodied conservative values ranging from anticommunism to white supremacy to a crusading and politicized interpretation of Christianity. This garnered him the admiration of millions of Americans. He stayed in office for so long because many people, from the highest reaches of government down to the grassroots, wanted him there and supported what he was doing, thus creating the template that the political right has followed to transform its party. G-Man places Hoover back where he once stood in American political history--not at the fringes, but at the center--and uses his story to explain the trajectories of governance, policing, race, ideology, political culture, and federal power as they evolved over the course of the 20th century.

This "latest episode in the Bob Lee Swagger saga ... finds Bob uncovering his family's secret Tommy gun war with 1930s gangsters like John Dillinger and Baby Face Nelson"--Amazon.com.

When Michael G (yes, "G" is his whole last name, and that's why everyone calls him G-Man) has to keep a journal in Mrs. Rosario's class at school, naturally he writes about his ambition to have superpowers and join the superheroes of his city (like Captain Thunderman) in the fight for justice. After all, his friend Billy Demon just got an awesome winged flying suit and superpowers of his own, and now he's the most popular kid in school! Mikey would just love to have superpowers too, but how will he get them? And if he does get them, what will he do with them? "G-Man is funny! Really, really funny! You know how hard it is to make a funny comic? Believe me, plenty hard! I should probably encourage you to buy a copy, but honestly, I don't need the competition." —Jimmy Gownley, author of Amelia Rules "Giarrusso has a kid-friendly sarcastic wit which will resonate with readers ages 8 and up." —Snow Wildsmith, School Library Journal "G-Man, Chris Giarrusso’s awesome all-ages superhero series, is one of the most fun and exciting new properties to come down the pike in ages." —John Hogan, Graphic Novel Reporter

A series of graphic comics introducing G-Man and his friends Billy Demon, Tan Man, Sparky, and the Suntrooper.

A full-color collection of the author's comic strips featuring G-Man and his gang of kid superheroes.

In the summer of 1935, a nasty career criminal by the name of George Barrett shot to death a young FBI agent beside a flower garden in the little town of College Corner, which sat astraddle the state line between Ohio and Indiana. Indeed, when the shooting occurred, Barrett fired from Indiana and the agent fell dead in Ohio. It was only one peculiarity of the case of Barrett vs. J. Edgar Hoover's fledgling agency as it struggled for supremacy over the rampaging criminal elements of the chaotic 1930s. The case made national headlines for a number of reasons: the Cincinnati agent, Nelson Klein, was the first FBI agent to be killed in the line of duty; his killer, Barrett, a one-time Kentucky moonshiner who had killed his own mother, was only the second man tried under a new federal statute that made the murder of a government agent a federal offenseand the first to be executed.

Between 1933 and 1939, the FBI pursued an aggressive, highly publicized nationwide campaign against a succession of Depression era "public enemies," including John Dillinger, George "Baby Face" Nelson, Charles Arthur "Pretty Boy" Floyd, George "Machine Gun Kelly" Barnes, Bonnie Parker and Clyde Barrow, and the Ma Barker Gang. Bureau Director J. Edgar Hoover's successes in this crusade made him the hero of law and order in the public mind. This historical analysis reveals the agency's often illegal tactics, including torture, frame-ups, and summary executions--later expanded throughout Hoover's 48-year reign in Washington, D.C., and exposed only after his death (some say murder) in 1972.