Drawing largely on Propp's and Greimas' work on the narrative, this book is aimed at consolidating and extending their views through a series of concrete applications. The volume offers a critical examination of narrative structure in terms of its two basic syntactic units or sets of operations, namely the “eventual or dynamic configurations corresponding to communication or to contract or, more general, to the structure of exchange.” Because of the emphasis it lays on the logical frame underlying the syntagmatic dimension of the story, the book contributes to an integrated descriptive model deliberately centered on “narrative semiotics as a branch of descriptive poetics.” The discussion of value in its social and legal context brings to light the links between the theory of narrative and its anthropological sources. This book shows that a strict concern with story logic requires a reevaluation of the basic premises of semiotic theory and raises important epistemological questions about its evolution.

This book may be viewed not only as n post-Proppian, post-Greimassian reconstruction and theoretical advance but also as a neo-Proppian, neo-Greimassian remodelling of story logic leading to an integrated descriptive model which focuses, by design, on narrative semiotics as a branch of descriptive poetics. The investigation and the revision of the actantial model and the narrative schema are made concrete through multiple small narratives from literary fiction, specifically Nathanael West's Miss Lonelyhearts, a parable of Pascal, and a historical chronicle. The modifications which Therese Budniakiewicz proposes are turned, as it were, backward towards a theoretical foundation that is both re-found and re-founded, and what emerges is a methodology of textual analysis the scope of which extends to include hermeneutics and interpretation. At the same time, through the analysis the author makes of the 'contractual and communication events' and the central position she gives to the Sender and Receiver, the book is led to place emphasis on the social and interactional nature of discourse and, thereby, integrating the basics of narrative within the framework of law and society and justice. By putting the theory in perspective while carefully analyzing its premises and by consolidating a broad spectrum of interdisciplinary concepts crucial to narrative, Fundamentals of Story Logic will be welcomed by all students of fiction, narratology, and the classical Greimas.

Featuring a major synthesis and critique of interdisciplinary narrative theory, Story Logic marks a watershed moment in the study of narrative. David Herman argues that narrativeøis simultaneously a cognitive style, a discourse genre, and a resource for writing. Because stories are strategies that help humans make sense of their world, narratives not only have a logic but also are a logic in their own right, providing an irreplaceable resource for structuring and comprehending experience. Story Logic brings together and pointedly examines key concepts of narrative in literary criticism, linguistics, and cognitive science, supplementing them with a battery of additional concepts that enable many different kinds of narratives to be analyzed and understood. By thoroughly tracing and synthesizing the development of different strands of narrative theory and provocatively critiquing what narratives are and how they work, Story Logic provides a powerful interpretive tool kit that broadens the applicability of narrative theory to more complex forms of stories, however and wherever they appear. Story Logic offers a fresh and incisive way to appreciate more fully the power and significance of narratives.

This introductory graduate text covers modern mathematical logic from propositional, first-order and infinitary logic and Gödel's Incompleteness Theorems to extensive introductions to set theory, model theory and recursion (computability) theory. Based on the author's more than 35 years of teaching experience, the book develops students' intuition by presenting complex ideas in the simplest context for which they make sense. The book is appropriate for use as a classroom text, for self-study, and as a reference on the state of modern logic.

You always wanted to write short stories but you have no idea where to begin.Do you want to become better at writing fiction?Perhaps you find it hard to come up with ideas for a story or to devise a plot. Maybe you have difficulty developing your own style or is your dialogue rusty.N.A. Turner is here to help you navigate the land of short story writing from outlining your story to attracting readers. Every aspiring writer dreams of people reading his or her work. Short story writing is a way of both developing your writing style and to introduce your talent to potential readers. At the start of their career, the likes of Stephen King and Charles Bukowski made a name for themselves by writing and publishing short stories.Learn more about N.A. Turner's writing tips based on his experience and research.This guide teaches you: - How to write well-structured short stories- How to determine your theme- How to plot your story- How to create engaging, interesting characters- How to build a fictional world- How to write scenes and clear dialogue- How to get to that first draft and edit your story- How to publish your short stories in the current market- And much moreThis guidebook will show you a step-by-step process to successfully write and publish short stories. From developing an idea to attracting readers online. This comprehensive, step-by-step guide is all you need to get started.

Quickly acquire the knowledge and skills you need to confidently administer, score, and interpret a variety of storytelling techniques Storytelling techniques are a popular projective approach for assessing many aspects of a person's personality, such as cognitive processes, emotional functioning, and self-regulation. The broad spectrum of techniques includes the Thematic Apperception Test (TAT—the most widely embraced), Roberts-2, and TEMAS (Tell-Me-A-Story). To use these tests properly, professionals need an authoritative source of advice and guidance on how to administer, score, and interpret them. Written by Hedwig Teglasi, a leading researcher of the TAT and other storytelling techniques, Essentials of TAT and Other Storytelling Assessments, Second Edition is that source. Like all the volumes in the Essentials of Psychological Assessment series, this book is designed to help busy mental health professionals, and those in training, quickly acquire the knowledge and skills they need to make optimal use of major psychological assessment instruments. Each concise chapter features numerous callout boxes highlighting key concepts, bulleted points, and extensive illustrative material, as well as test questions that help you gauge and reinforce your grasp of the information covered. Fully revised and updated to reflect the current research supporting storytelling techniques, Essentials of TAT and Other Storytelling Assessments, Second Edition reflects the latest data and theory on scoring stories and includes new material on interpreting stories in reference to a person's abilities in cognition, emotion, relationships, motivation, and self-regulation. As well, the author provides expert assessment of the methods' relative strengths and weaknesses, valuable advice on their clinical applications, and several case studies to illustrate best practices for implementing the storytelling approach to personality assessment. Other titles in the Essentials of Psychological Assessment series: Essentials of Assessment Report Writing Essentials of PAI Assessment Essentials of 16PF Assessment Essentials of Neuropsychological Assessment, Second Edition Essentials of MillonTM Inventories Assessment, Third Edition Essentials of Rorschach Assessment Essentials of MMPI-2 Assessment Essentials of MMPI-A Assessment

"English is so illogical!" It is generally believed that English is a language of exceptions. For many, learning to spell and read is frustrating. For some, it is impossible... especially for the 29% of Americans who are functionally illiterate. But what if the problem is not the language itself, but the rules we were taught? What if we could see the complexity of English as a powerful tool rather than a hindrance? --Denise Eide Uncovering the Logic of English challenges the notion that English is illogical by systematically explaining English spelling and answering questions like "Why is there a silent final E in have, large, and house?" and "Why is discussion spelled with -sion rather than -tion?" With easy-to-read examples and anecdotes, this book describes: - the phonograms and spelling rules which explain 98% of English words - how English words are formed and how this knowledge can revolutionize vocabulary development - how understanding the reasons behind English spelling prevents students from needing to guess The author's inspiring commentary makes a compelling case that understanding the logic of English could transform literacy education and help solve America's literacy crisis. Thorough and filled with the latest linguistic and reading research, Uncovering the Logic of English demonstrates why this systematic approach should be as foundational to our education as 1+1=2.