A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

- provides the first comprehensive overview of the critical history of Book of the Duchess - offers for the first time a thorough analysis of Book of the Duchess’s medieval and early modern reception - establishes Book of the Duchess’s structuring investment in the idea of ‘the book’ – its construction, consumption, and transmission - as it contributes to a poetics of intertextuality

For over a century, Italy has had a love affair with the cigarette. Perhaps no consumer item better symbolizes the economic, political, social, and cultural dimensions of contemporary Italian history. Starting around 1900, the new and popular cigarette spread down the social hierarchy and eventually, during the 1960s, across the gender divide. For much of the century, cigarette consumption was an index of economic well-being and of modernism. Only at the end of the century did its meaning change as Italy achieved economic parity with other Western powers and entered into the antismoking era. Drawing on film, literature, and the popular press, Carl Ipsen offers a view of the "cigarette century" in Italy, from the 1870s to the ban on public smoking in 2005. He traces important links between smoking and imperialism, world wars, Fascism, and the protest movements of the 1970s. In considering this grand survey of the cigarette, Fumo tells a much larger story about the socio-economic history of a society known for its casual attitude toward risk and a penchant for la dolce vita.

As "the Senator," Vincent J. Fumo reigned for nearly a generation, cutting deals and red tape, and bringing in billions of dollars for Philadelphia. He personified a bare-knuckles, take-no-prisoners style of politics that's no longer socially acceptable, or as prosecutors successfully argued, legal. Since he was convicted in 2009 of 137 counts of corruption, he's served his time and kept a low profile. Until now, when he finally tells his story with characteristic candor and insight. Only now, thanks to formerly confidential grand jury transcripts and FBI files, can we see through the distortions that surrounded the frenzied pursuit - by both the prosecutors and the media -- of the "Vince of Darkness." Only now can we paint the full portrait of a brilliant but flawed and deeply complicated man -- how he gained power, wielded power, and lost it in spectacular fashion. It's a tale of excess, by both the hunted and the hunters. Ralph Cipriano uses "truth as a weapon against raw governmental abuse of power and news media gullibility. [He] deserves our thanks for peeling back the curtain on the epic destruction of Fumo. . . " From the foreword by Harvey A. Silverglate, author, Three Felonies A Day: How the Feds Target the Innocent

After a robust career in the Netherlands as the country's most successful director, Paul Verhoeven (b. 1938) built an impressive career in the United States with such controversial blockbusters as RoboCop, Total Recall, Basic Instinct, Starship Troopers, and Showgirls before returning home to direct 2006's Black Book. After a recent stint as a reality television judge in the Netherlands, Verhoeven returned to the big screen with his first feature film in a decade, a highly anticipated French-language production, Elle, starring Isabelle Huppert. Verhoeven, who holds an advanced degree in mathematics and physics, boasts a fascinating background. Traversing Hollywood, the Dutch film industry, and now French filmmaking, the interviews in this volume reveal a complex, often ambiguous figure, as well as a director of immense talent. Paul Verhoeven: Interviews covers every phase of the director's career, beginning with six newly translated Dutch newspaper interviews dating back to 1968 and ending with a set of previously unpublished interviews dedicated to his most recent work. He experimented with crowd-sourced filmmaking for the television show The Entertainment Experience, which resulted in the film Tricked, as well as his latest feature Elle. Editor Margaret Barton-Fumo includes "Sex, Cinema and Showgirls," a long out-of-print essay by Verhoeven on his most controversial film, accompanied by pages of original storyboards from this and some of Verhoeven's other films. Finally, Barton-Fumo allots due attention to the director's little-known lifelong fascination with the historical Jesus Christ. Verhoeven is the only non-theologian member of the exclusive Westar Institute and author of the book Jesus of Nazareth.