John Hospers' Introduction to Philosophical Analysis has sold over 150,000 copies since its first publication. This new edition ensures that its success will continue into the twenty-first century. It remains the most accessible and authoritative introduction to philosophy available using the full power of the problem-based approach to the area to ensure that philosophy is not simply taught to students but practised by them. The most significant change to this edition is to respond to criticisms regarding the omission in the third edition of the famous opening chapter. A brand new chapter, Words and the World, replaces this in the fourth edition - which now features a large number of examples and illustrative dialogues. The rest of the text has been thoroughly revised and updated to take account of recent developments in some areas of philosophy.

"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music"--

List of Rhodes scholars, 1904-1915: v.2 p. [145]-161. Vol. for 1934- include Addresses and occupations of Rhodes scholars and other Oxonians (called 1934-36, Addresses and occupations of Rhodes scholars).

Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation. The second issue »Quantified Selves | Statistical Bodies« provides methodological and theoretical reflections on technologically generated knowledge about the body and socio-cultural practices that are subsumed, discussed, and criticized using the key concept »Quantified Self«.

Using a comparative approach, this book analyses the history of China's private property protection at the constitutional level since 1949.