Jason Karns’ Fukitor is an attack of a different kind: reprinted from the artist’s self-published zine, the book is a 144 page compilation of full color comics that reside uneasily between a straight and satirical response to the violence, xenophobia, and sexual and racial stereotypes found in pop culture.

In March 2020, as the planet began to enter lockdown, acclaimed cartoonist Simon Hanselmann decided that what the world needed most was free, easily accessible entertainment, so he set out to make the greatest webcomic ever created! The result is also certain to be one of the most acclaimed and eagerly anticipated graphic novels of 2021. As the Covid-19 pandemic continued to escalate far beyond any reasonable expectations, Crisis Zone escalated right alongside, in real time, with daily posts on Instagram. Crisis Zone's battle mission was to amuse the masses: no matter how horrible and bleak everything seemed, at least Werewolf Jones wasn’t in your house! Over the course of 2020, Crisis Zone has amassed unprecedented amounts of new fans to the Megg and Mogg universe and is presented here, unabridged and uncensored, with a slew of added pages and scenes deleted from the webcomic, as well as an extensive “Director’s Commentary” from Hanselmann himself.

Snackies is a hilarious collection of gags and real talk from one of the funniest voices in contemporary comics.This book includes Nick Sumida's self published mini-comics, as well as new and unpublished strips! Strips include God Tweets, yoga tutorial, the subway, and internet dating as a gay man in New York.

Collecting the first five issues of Gilbert Hernandez's comic book series Blubber, an absurdly X-rated showcase for the most surreally transgressive of Hernandez's short stories. Weirdos (Blubberoo, Mr. Elvis, John Dick, the Mentor), creatures (the Mau Guag, Doogs, and Orlats...), and anthropomorphs (the Cloarks, the Kekeppy) visit places where most comics fear to go. Blubber veers between an absurdist satire of porn (and occasionally nature documentaries) as well as a defiant provocation to those unable to appreciate the difference between cartooning and obscenity. As R. Crumb said, "It's only lines on paper, folks!" It is also a howlingly funny book, filled with a rogues gallery of colorful comic book monsters (the Pollum, the Junipero Molestat, the mythical Forest Nimmy) and characters (T.A.C. Man, Mr. Hippy, Padre Puto, the Snowman, Baron Mungo, Red Tempest) that echoes the sheer visual imagination of Jack Kirby.

The Emperor’s New Clothes: The Tower of Babel in the “Art” World is an 80 page landscape-format book collecting Kinigstein’s political cartoons inveighing against the trends of abstract and modern art through the 20th century. Meticulously rendered in pen and ink in the tradition of George Townshend and James Gilray, the elaborate compositions skewer artists, curators, and critics.

SUPERMAG is Jim Rugg's latest print project... a magazine-sized collection of comics and art. It showcases his interests in genre work, irreverent humor, graphic design, drawing, and typography. SUPERMAG features new work as well as collecting the best of his recent anthology contributions. Jim Rugg's past work includes Notebook Drawings: 2010-2011, Afrodisiac, Street Angel, the PLAIN Janes, and Rambo 3.5.

"Originally published in single monthly issues as Copra."