This book analyzes a large number of typical tulou buildings and compact communities in detail, and painstakingly studies the way of life practiced in these communities, their defense systems, building techniques, spatial features, antithetical couplets culture, and historical origins. As such, it offers readers access to a unique treasure of traditional civilian residence, while also representing a valuable asset for architects and researchers in architectural history, cultural relics and fine arts.

Sabrina Ardizzoni’s book is an in-depth analysis of Hakka women in tulou villages in Southeast China. Based on fieldwork, data acquired through local documents, diverse material and symbolic culture elements, this study adopts an original approach that includes historical-textual investigation and socio-anthropological enquiry. Having interviewed local Hakka women and participated in rural village events, public and private, in west Fujian’s Hakka tulou area, the author provides a comprehensive overview of the historical threads and cultural processes that lead to the construction of the ideal Hakka woman, as well as an insightful analysis of the multifaceted Hakka society in which rural women reinvent their social subjectivity and negotiate their position between traditional constructs and modern dynamics.

This book offers a variety of analyses, methodologies, and reflections on the behaviour of vernacular architecture in the face of natural hazards, with an emphasis on the strategies that can be used to cope with them. The different examples of vernacular architecture studied in this book highlight the cultural wealth of this type of heritage, which has not only adapted to locally available resources and the needs of individual populations but has also successfully responded to the natural risks it encountered. As regards the types of risks analysed, the chapters focus on the impact of natural events on this type of heritage, proposing different methodologies for the analysis of vulnerability and any possible damage caused. In general, the contributions included offer an interesting analysis of the behaviour of vernacular architecture in the face of natural hazards and the different scales or approaches that can be employed to cope with them. This book will be of particular interest to specialists and those interested in the fields of architecture, history, structures and risk management. It was originally published as a special issue of the International Journal of Architectural Heritage.

Sustainable, circular, up-to-date Most modern buildings are built from diverse materials, but few confront their manifold composition as a question of both design and performance. This book takes a close look at a series of global building traditions and contemporary practices to uncover the possibilities and challenges of working with mixed materials. Visually stunning, color-coded drawings reveal the materials and construction for every project. Through case studies, design experiments and writings, the authors examine the opportunities of heterogeneous construction for contemporary, sustainable, circular, and culturally situated architecture. With contributions by Jeannette Kuo, Ajay Manthripragada, and Jesús Vassallo, and photography by Naho Kubota. Graphic design by Andrew LeClair. Richly illustrated case studies of lesserknown hybrid construction techniques Beautiful graphic design and unique spot color printing reveal the interrelationships of materials in construction In-depth essays that discuss the technical, cultural, and environmental implications of heterogeneous construction

Drawing on the cognitive translatological paradigm, this book introduces a situation-embedded cognitive construction model of translation and explores the thinking portfolios of British and American sinologists-cum-translators to re-examine their multiple voices and cognition in translating Chinese fiction. By placing sinologists-cum-translators in the same discourse space, the study transcends the limitations of previous case studies and offers a comprehensive cognitive panorama of how Chinese novels are rendered. The author explores the challenges and difficulties of translating Chinese fiction from the insider perspectives of British and American sinologists, and cross-validates their multiple voices by aligning them with cross-cultural communication scenarios. Based on the cognitive construction model of translation, the book provides a systematic review of the translation thoughts and ideas of the community of sinologists in terms of linguistic conventions, narrative styles, contextual and cultural frames, readership categories and metaphorical models of translation. It envisions a new research path to enhance empirical research on translators' cognition in a dynamic translation ecosystem. The title will be an essential read for students and scholars of translation studies and Chinese studies. It will also appeal to translators and researchers interested in cognitive stylistics, literary studies and intercultural communication studies.