Once Ingo Hasselbach was a neo-Nazi, preaching racism, anti-Semitism, and anti-government terrorism. Now the 28-year-old founder and leader of the first neo-Nazi party in East Germany takes as his mission the prevention of others following the path of hate. In this eye-opening memoir, Hasselbach vividly exposes the violent movement he helped create--and tells why he left it behind. Photos.

Ingo Hasselbach was born in East Germany in 1968, the only child of actively Communist parents. He grew up despising the rules they lived by, and hating the state. He fell in with a group of skinheads and became involved in casual violence as an expression of loneliness and contempt. In 1987 he was sent to prison for shouting The wall must fall in a public place. On release, he began working for a secret militant group opposed to the government, and when the government fell he opened up contact with an international network or neo-Nazis and racist movements, and began building up caches of weapons and starting paramilitary camps.

German history films that focus on utopianism and political dissent and their effect on German identity since 1989. Since unification, a radical shift has taken place in Germans' view of their country's immediate past, with 1989 replacing 1945 as the primary caesura. The cold-war division, the failed socialist state, the '68 student movement, and the Red Army Faction -- historical flashpoints involving political oppression, civil disobedience, and the longing for utopian solutions to social injustice -- have come to be seen as decisive moments in a collective history that unites East and West even as it divides them. Telling stories about a shared past, establishing foundational myths, and finding commonalities of experience are pivotal steps in the construction of national identity. Such nation-building is always incomplete, but the cinema provides an important forum in which notions of German history and national identity can be consumed, negotiated, and contested. This book looks at history films made since 1989, exploring how utopianism and political dissent have shaped German identity. It studies the genre - including popular successes, critical successes, and perceived failures - as a set of texts and a discursive network, gauging which conventions and storylines are resilient. At issue is the overriding question: to what extent do these films contribute to a narrative that legitimizes the German nation-state? Mary-Elizabeth O'Brien is Professor of Germanand The Courtney and Steven Ross Chair in Interdisciplinary Studies at Skidmore College.

Subtitled 'Violence in the New Millennium', this provides an insight into this relatively new phenomenon in the United States.

WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • ONE OF ESQUIRE’S BEST BIOGRAPHIES OF ALL TIME General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers. But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat. The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.

Publisher Fact Sheet Why women join hate groups, how they participate in them, & why they stay.

Rapley argues provocatively that the seeds of political tensions that began in the third world--and are now being manifested around the globe--can be found in neoliberal prescriptions for economic reform.