Brenna Wright loves discovering new artists and showing their work at her New York Art Gallery. Recluse Sinclair Grady creates magnificent stained glass windows from rare sea glass while coveting her privacy on the secluded beaches around Pemaquid Point, Maine. When Brenna comes across Sinclair's work, she knows instantly that this is one of her biggest finds. But for Sinclair, one horrific secret from her past makes her reluctant to leave her self-imposed exile and take a chance with Brenna. And when feelings erupt between them, their chance at love sets in motion a potentially devastating series of events that could not only sabotage their relationship but could destroy Sinclair's life.

Almost twenty years after forbidding him to contact her, Vita receives an email from her old benefactor, Royce. Once, she was one of his brightest protégées; now her career has stalled and Royce is ailing, and each has a need to settle accounts. Beyond their murky shared history, both have lost beloveds, one to an untimely death, another to a strange disappearance. And both are trying to free themselves from deeper pasts, Vita from the inheritance of her birthplace, Royce from the grip of the ancient city of Pompeii and the secrets of the Garden of the Fugitives. Between what’s been repressed and what has been excavated are disturbances that reach back through decades, even centuries. Addictive and unsettling, In the Garden of the Fugitives is a masterpiece of duplicity and counterplay, as brilliantly illuminating as it is surprising – about the obscure workings of guilt in the human psyche, the compulsion to create, and the dangerous morphing of desire into control. It is the breakthrough work of one of Australia’s most exciting emerging writers.

FINALIST FOR THE 2022 PEN/FAULKNER AWARD FOR FICTION FINALIST FOR PUBLISHING TRIANGLE'S EDMUND WHITE DEBUT FICTION AWARD In the last weeks of her pregnancy, a Muslim Indian lesbian living in San Francisco receives a visit from her estranged mother and sister that surfaces long held secrets and betrayals in this "sweeping family saga . . . with the beautiful specificity of real lives lived, loved, and fought for" (Entertainment Weekly) Working as a consultant for Kamala Harris’s attorney general campaign in Obama-era San Francisco, Seema has constructed a successful life for herself in the West, despite still struggling with her father’s long-ago decision to exile her from the family after she came out as lesbian. Now, nine months pregnant and estranged from the Black father of her unborn son, Seema seeks solace in the company of those she once thought lost to her: her ailing mother, Nafeesa, traveling alone to California from Chennai, and her devoutly religious sister, Tahera, a doctor living in Texas with her husband and children. But instead of a joyful reconciliation anticipating the birth of a child, the events of this fateful week unearth years of betrayal, misunderstanding, and complicated layers of love—a tapestry of emotions as riveting and disparate as the era itself. Told from the point of view of Seema’s child at the moment of his birth, and infused with the poetry of Wordsworth and Keats and verses from the Quran, Radiant Fugitives is a moving tale of a family and a country grappling with acceptance, forgiveness, and enduring love.

"A brilliant poet of two nations, he is a treasure found."-Sandra McPherson A testimony of sexuality in times of violence, this journey into the intimate language of the male body is freighted with danger and desire and expressed through a dark eroticism reminiscent of Garcia Lorca and Cavafy. "Breads That Hunger" Acirc; I make love to a man with a button fetish. Correction: a man makes love to my shirt. He yanks each piece of plastic with his teeth and swallows it, then inserts the cusp of his tongue into the buttonhole. I slip out of the sleeves and off the bed and he scarcely notices. Later, he comes looking for me; my shirt slumped across his shoulder. It looks as if I have shed my skin-the fantasy of meeting the train on the rusty tracks comes to life. Buttonless, I have been stripped of everything that holds me together. He tells me he can replace the shirt. I tell him he can keep me.

John C. Wright established himself at the forefront of contemporary fantasy with Orphans of Chaos, which launched a new epic adventure. Wright's new fantasy, continuing in Fugitives of Chaos, is about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings: pagan gods, fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls; Colin is psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe, and they should not be able to co-exist under the same laws of nature. They must learn to control their strange abilities in order to escape their captors. Something very important must be at stake in their imprisonment.

In their growing involvement with one another, each becomes a pawn in the other's game. As we weave among these characters, learning about their lives and motivations, and uncovering the conflicts and contradictions between their stories, we realize that the storyteller is not the only one with secrets to conceal that all three are fugitives of one kind or another. All the Sorrentino touches that have thrilled admirers are here: sparkling dialogue, satirical wit, attention to the details of everyday life, dizzyingly inventive prose but it is the deeply imagined interior lives of its all too human main characters that set this novel apart. Moving, funny, tense, and mysterious, The Fugitives is a love story, a ghost story, and a crime thriller.

With brutal honesty and poetic urgency, Ananda Devi relates the tale of four young Mauritians trapped in their country's endless cycle of fear and violence. Eve out of Her Ruins is a heartbreaking look at the Mauritius tourists don't see, and an exploration of the construction of personhood at the margins of society.