John C. Wright established himself at the forefront of contemporary fantasy with Orphans of Chaos, which launched a new epic adventure. Wright's new fantasy, continuing in Fugitives of Chaos, is about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings: pagan gods, fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls; Colin is psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe, and they should not be able to co-exist under the same laws of nature. They must learn to control their strange abilities in order to escape their captors. Something very important must be at stake in their imprisonment.

John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Fantasy roman.

As the planetoid Thanatos Minor explodes into atoms, a specially-fitted cruiser escapes the mass destruction and hurtles into space only a step ahead of hostile pursuit. On board Trumpet are a handful of bedraggled fugitives from an outlaw world - old enemies suddenly and violently thrown together in a desperate bid for survival. Among this unlikely crew of allies are Morn Hyland, once a UMC cop, now a prisoner to the electrodes implanted in her brain; her son, Davies, "force-grown" to adulthood by the alien Amnion and struggling to understand his true identity; the amoral space buccaneer Nick Succorso, whose most daring act of piracy could be his last; and Angus Thermopyle, unstoppable cyborg struggling to wrest control of his own mind from his UMC programmers.

The host of America's Most Wanted, John Walsh has formed a vital partnership with the public, the media, and law enforcement that has led to the capture of hundreds of the worst serial killers, kidnappers, pedophiles, and rapists of our time. In Public Enemies he reveals the cost -- the blood, sweat, and tears -- behind the relentless pursuit of hard justice, in such infamous cases as: Kyle Bell: A lifelong sexual predator whose madness culminated in the slaying of an eleven-year-old North Dakota girl. Bell was one of the only fugitives AMW had to capture twice -- and his case stirred more outrage than any other broadcast in AMW's history. Kathleen Soliah: This accused Symbionese Liberation Army terrorist disappeared in 1969 only to resurface twenty-five years later as suburban housewife and soccer mom Sara Jane Olson. Her arrest, following AMW's profile of Soliah and her former SLA partner James Kilgore, incited a stunning controversy. Rafael Resendez-Ramirez: aka The Railroad Killer. A sociopathic drifter, he rode the Texas rails, stopping only to rape and kill. His case was first brought to the public eye by AMW, and it was a secret call to the program's hot line that ultimately led to his surrender. In those and other gripping true-crime profiles, John Walsh exposes the behind-the-scenes drama of the groundbreaking show, and what actually unfolds between the crimes and the captures -- the vital leads from strangers, the dangerous manhunts, the developments cut from the AMW broadcasts, and the dogged investigations by authorities. He divulges stunning lapses in the judicial process that release monsters to the streets time and again. He takes readers inside the hearts and souls of the grieving families, and gives eyewitness accounts of the dramatic final moments when fugitives are finally taken down. An outspoken and unstoppable crusader, John Walsh ignites Public Enemies with righteous anger and gut-level emotion. But his heartfelt motto echoes throughout: I truly believe, with all my heart and soul, that together we can make a difference. It's a conviction Walsh offers as inspiration to the innocents affected by crime, and to all who feel powerless in the face of unfathomable evil.

When two teenage boys try to buy marijuana in Washington, D.C., one evening, the deal goes sour, an undercover cop ends up dead, and the boys soon realize they've stumbled onto a major conspiracy of epic proportions.

During the early seventeenth century, Kisama emerged in West Central Africa (present-day Angola) as communities and an identity for those fleeing expanding states and the violence of the trans-Atlantic slave trade. The fugitives mounted effective resistance to European colonialism despite—or because of—the absence of centralized authority or a common language. In Fugitive Modernities Jessica A. Krug offers a continent- and century-spanning narrative exploring Kisama's intellectual, political, and social histories. Those who became Kisama forged a transnational reputation for resistance, and by refusing to organize their society around warrior identities, they created viable social and political lives beyond the bounds of states and the ruthless market economy of slavery. Krug follows the idea of Kisama to the Americas, where fugitives in the New Kingdom of Grenada (present-day Colombia) and Brazil used it as a means of articulating politics in fugitive slave communities. By tracing the movement of African ideas, rather than African bodies, Krug models new methods for grappling with politics and the past, while showing how the history of Kisama and its legacy as a global symbol of resistance that has evaded state capture offers essential lessons for those working to build new and just societies.