This remarkable book is the first ever written about commercial sex by a Vietnamese prostitute. Mekong Moe was born in South Vietnam in 1972, just as the US was preparing to pull its troops out and leave the communist North to capture Saigon. She married early, had two children, but increasingly despised her foolish husband. In 2009 she got divorced. Desperately short of money, she travelled to Singapore to work in a hairdressing salon. When she got there, however, she soon discovered she had been tricked. To repay her ticket costs, she would have to sell sex to western businessmen. In this fascinating account of her subsequent adventures, Moe describes the life of a mature Asian hooker. She chronicles her exploits as a blatant street-walker around Singapore, a discreet 'hostess' in smart sex clubs in Dubai and a provider of cheap 'tricks' in Shanghai. She has offered elite escort services to senior businessmen staying in the 5-star hotels in Vietnam and abroad. Moe paints a sympathetic picture of her clients. She gives steamy erotic descriptions of sex with her French boyfriend and other favourite customers. She ties her experiences in with the history of prostitution in her country. She explains the importance of sex work for women from the Vietnamese countryside to escape poverty. The book is richly illustrated, and is a 'must read' for anyone interested in prostitution in Asia today. Her spirited sexuality is evident. The reader will learn much about Asian eroticism, sex tourism in Asia and the Middle East, and the sex lives of the Vietnamese. This experienced Asian MILF whore clearly knows how to fuck and suck. Her customers evidently take home fond memories of the special adventures she has to offer any businessman or traveller lucky enough to meet her in the red light districts of the Gulf or the Orient.

A “captivating” (The Washington Post) true story of “courage, resolve, and determination” (Christian Science Monitor), author Ralph White’s successful effort to save nearly the entire staff of the Saigon branch of Chase Manhattan bank and their families before the city fell to the North Vietnamese Army. In April 1975, Ralph White was asked by his boss to transfer from the Bangkok branch of the Chase Manhattan Bank to the Saigon Branch. He was tasked with closing the branch if and when it appeared that Saigon would fall to the North Vietnamese army and ensure the safety of the senior Vietnamese employees. But when he arrived, he realized the situation in Saigon was far more perilous than he had imagined. The senior staff members there urged him to evacuate the entire staff of the branch and their families, which was far more than he was authorized to do. Quickly he realized that no one would be safe when the city fell, and it was no longer a question of whether to evacuate but how. Getting Out of Saigon is an “edge-of-your-seat” (Oprah Daily) story of a city on the eve of destruction and the colorful characters who respond differently to impending doom. It’s a remarkable account of one man’s quest to save innocent lives not because he was ordered but because it was the right thing to do.

Miss Saigon (PVG) presents 12 songs from Boublil & Schonberg’s hit musical, Miss Saigon. Each song has been freshly engraved for piano and voice, with accompanying lyrics, allowing you to relive the beauty and drama of the show. With beautiful and faithful transciptions, alongside full-colour photography, this book is an essential purchase for any fan. Songlist: - The Heat Is On In Saigon - The Movie In My Mind - Why God Why? - Sun And Moon - The Last Night Of The World - I Still Believe - I’d Give My Life For You - Bui-doi - What A Waste - Too Much For One Heart - Maybe - The American Dream

I can't get out of bed without groaning or feel summin inside of me is creaking... We're too old for this shit. In a pub in South London 'The Firm' reunite for the first time in twelve years. Back in their misspent youth they were a notorious criminal gang; these days they're older, wiser, and their lives have changed beyond recognition. But when an uninvited guest turns up to the party with an intriguing proposition and an explosive secret it's clear they might be tempted to try their hands at one last job. Will they escape their past unscathed? Roy Williams' gripping new play is a tale of growing up, lifelong loyalties and how sometimes, it is possible to choose your own family. Published to coincide with the premiere at the Hampstead Theatre Downstairs in Autumn 2017.

Award-winning videomaker, performance artist, and pop-culture provocateur Kip Fulbeck has captivated audiences worldwide with his mixture of high comedy and personal narrative. In Paper Bullets, his first novel, Fulbeck taps into his Cantonese, English, Irish, and Welsh heritage, weaving a fictional autobiography from 27 closely linked stories, essays, and confessions. By turns sensitive and forceful, passionate and callous, Fulbeck confronts the politics of race, sex, and Asian American masculinity head-on without apology, constantly questioning where Hapas fit in a country that ignores multiracial identity. Raised in southern California by a Chinese-born mother and a Caucasian father, Fulbeck pushes the conventions of literary form as he simultaneously draws from, recreates, and fabricates his own life history. His range of experiences--from college professor to youth outreach volunteer, blues player to surfer and lifeguard--informs his witty and humane writing. Like himself, his protagonist is a young man shaped by the conflicting mores, stigmas, desires, and codes of male conduct in America. He searches for and mismanages love and independence, continually experimenting with sex along the way. Sometimes hilarious, always heartfelt, surfing the trivia of pop culture and sound bits, his inner voice shifts continually among the real, the perceived, and the imagined.

A study of the Asian woman as sexual icon in visual culture.

Nigel Kennedy changed the course of classical music in the late 1980s with his interpretation of Vivaldi’s ‘Four Seasons’. He was revolutionary: in his performance and presentation; in his technique and his open-minded attitude. A natural boundary-pusher and musical adventurer, Nigel Kennedy blew minds - and sales records - as he became the best-selling violinist of all time. Instead of an Introduction, Nigel opens with a tongue-in-cheek ‘Warning’: readers should beware of his politically incorrect writing style and his frank take on the BBC, record companies, the Bavarian Police and any other ‘self-appointed wielders of power.’ It sets the tone for a truly original memoir that is as playful, unconventional and carefully executed as his music. The book is structured like a musical performance, with ‘Interludes’, ‘Outros’ and an ‘Encore’ separating the regular chapters which cover Nigel’s life story, from his humble beginnings and scholarship to the newly created Yehudi Menuhin School - and then New York at The Juilliard School - to his flourishing career and break-through as a world-class superstar. ‘Interludes’ cover subjects varying from Nigel’s best and worst gigs (“It might seem strange that shit gigs stick in the mind so much more than the good ones but I suppose it makes sense…”), to run-ins with rock stars and Police forces around the world. His anecdote on the London Metropolitan Police’s handling of a noise complaint at an after-show all-star jam is particularly funny: “These guys (the Met) were cheerful, they dealt with the situation and didn’t escalate the problem when there wasn’t one. 10/10” ‘Outros’ cover Nigel’s thoughts on classical music today - fascinating reading from the perspective of a virtuoso - to Brexit, where the spelling of the word alone leaves the reader in little doubt as to which side of the fence the author sits. ‘Encores’ is a comprehensive section on Nigel’s recorded output, covering his early classical work, the Four Seasons and later albums. There are insights into his work with rock musicians including Robert Plant, the late drummer Michael Lee, Killing Joke singer Jaz Coleman, and producers Eddie Kramer (Jimmy Hendrix) and John Leckie (Stone Roses). Nigel’s writing on Gershwin, Yehudi Menuhin, Stephan Grappelli (‘my biggest inspiration’), Jimi Hendrix and the Doors is compelling. Nigel writes of his interests outside music - boxing and football - which provide inspiration and balance to his creative output (on Aston Villa - “a true blessing for me to have an outlet in which I was surrounded by normal, honest, hard-working people who did ‘proper jobs’”). There is a splendid chapter on ‘Kitchen Golf’, a not-without-risk variation of the game, conjured up with close friend and mischief-maker Gary Lineker, during a messy late night kitchen session. “My whole life has been spent breaking down barriers between people and this book is proof of that.” states Nigel in his ‘Warning’. It’s a Mission Statement borne out in ‘Uncensored’ with aplomb.