The Dream Frontier is that rare book that makes available the cumulative wisdom of a century's worth of clinical examination of dreams and then reconfigured that wisdom on the basis of research in cognitive neuroscience. Drawing on psychodynamic theorists and neuroscientific researchers with equal fluency and grace, Mark Blechner introduces the reader to a conversation of the finest minds, from Freud to Jung, from Sullivan to Erikson, from Aserinksy and Kleitman to Hobson, as the work toward an understanding of dreams and dreaming that is both scientifically credible and personally meaningful. The dream, in Blechner's elegantly conceived overview, offers itself to the dreamer as an answer to a question yet to be asked. Approached in thi open-ended manner, dreams come to reveal the meaning-making systems of the unconscious in the total absence of waking considerations of reality testing and communicability. Systems of dream interpretation arise as helpful, if inherently limited, strategies for apprehending this unconscious quest for meaning. Whereas students will appreciate Blechner's concise reviews of the various schools of dream interpretation, teachers and supervisors will value his astute reexamination of the very process of interpretating dreams, which includes the manner in which group discussion of dreams may be employed to correct for individual interpretive biases. Elegantly written, lucidly argued, deftly synooptic but never ponderous in tone, The Dream Frontier provides a fresh outlook on the century just passed along with the keys to the antechambers of the new century's reinvestigation of fundamental questions of conscious and unconscious mental life. It transcends the typical limits of interdisciplinary reportage and brings both researcher and clinician to the threshold of a new, mutually enriching exploration of the dream frontier in search of basic answers to basic questions.

A Norwegian family suffers great hardship as they try to establish a farm on the plains of the Dakota territory in the 1870's.

"The success of The Shipping News and the film of Brokeback Mountain brought Proulx international recognition, but their success merely confirms what literary critics have known for some time: Proulx is one of the most provocative and stylistically innovative writers in America today. She is at her best in the short story format, and the best of these are to be found in her Wyoming trilogy, in which she turns her eye on America's West-both past and present. Yet despite the vast amount of print expended reviewing her books, there has been nothing published on the Wyoming Stories. There is appetite for such a work; the plethora of critical work on McCarthy''s Border Trilogy indicates that the reinvention of the West is a subject for serious academic study."--Provided by publisher.

The Recursive Frontier is an innovative spatial history of both the literature of Los Angeles and the city itself in the mid-twentieth century. Setting canonical texts alongside underexamined works and sources such as census bulletins and regional planning documents, Michael Docherty identifies the American frontier as the defining dynamic of Los Angeles fiction from the 1930s to the 1950s. Contrary to the received wisdom that Depression-era narratives mourn the frontier's demise, Docherty argues that the frontier lives on as a cruel set of rules for survival in urban modernity, governing how texts figure race, space, mobility, and masculinity. Moving from dancehalls to offices to oil fields and beyond, the book provides a richer, more diverse picture of LA's literary production during this period, as well as a vivid account of LA's cultural and social development as it transformed into the multiethnic megalopolis we know today.

This well-researched and compelling record of pioneer life contrasts our myths of the frontier with the harsh realities faced by the typical settler.